In a great profile in Saturday's New York Times promoting his new novel Agent Running in the Field, author John le Carré reveals that his sons' production company, The Ink Factory, are plotting an epic new TV series about his most famous character, spymaster George Smiley. "According to le Carré," asserts the article's author, Tobias Grey, "The Ink Factory now plans to do new television adaptations of all the novels featuring Cold War spy George Smiley - this time in chronological order. 'That means that if you actually go back to the first big conspiracies in The Spy Who Came In From the Cold, you've got to consider how Smiley ages and how young he was at that time,' le Carré says. That would mean finding an actor who can play younger than the Smiley incarnated by Gary Oldman in the film version of Tinker, Tailor, Soldier, Spy. Le Carré says that his sons are interested in casting the British actor Jared Harris, whose performance they all admired in the recent TV mini-series Chernobyl." Harris (The Man From U.N.C.L.E., Allied), interestingly, was originally cast in Tomas Alfredson's 2011 le Carré adaptation Tinker Tailor Soldier Spy as Circus (MI6) chief Percy Alleline, but had to drop out due to scheduling conflicts with Sherlock Holmes: A Game of Shadows, in which he played Professor Moriarty. Toby Jones took on the Alleline role, and embodied the character perfectly. Besides Oldman, Smiley has been played in the past by Denholm Elliott, James Mason, Rupert Davies, and, most memorably, Alec Guinness in two famous BBC miniseries.
A new miniseries version of The Spy Who Came In From the Cold was first announced back in 2016 as a follow-up to the hugely successful le Carré miniseries The Night Manager. Le Carré worked with the producers and writer to crack their take on the material, and that work led him to write a whole new sequel to the book, A Legacy of Spies, but did not yield a series. Instead, The Little Drummer Girl (2018) proved to be the next le Carré miniseries, but work continued on The Spy Who Came In From the Cold. Now, apparently, that project has grown in scope and morphed into this one. I've long craved a long-form TV series about le Carré's Circus, devoting a season to each book and dropping in the short stories from The Secret Pilgrim at the appropriate historical moments and, most crucially, finally giving us a television version of the (to date unfilmed) middle book in the Karla trilogy, The Honourable Schoolboy. This sounds like it could turn out to be exactly that! (Though hopefully they'll begin at the real beginning with Call For the Dead, and not The Spy Who Came In From the Cold.) It's a most tantalizing prospect!
Read my George Smiley Primer here.
Showing posts with label John Le Carre. Show all posts
Showing posts with label John Le Carre. Show all posts
Oct 13, 2019
Dec 10, 2018
AGENT RUNNING IN THE FIELD: New John le Carré Novel Coming in 2019!
John le Carré announced a new novel today, coming in 2019! He may be in the second half of his Eighties now, but, happily, the undisputed master of the spy genre keeps going strong. While either a personal memoir (2016's The Pigeon Tunnel) or a novel revisiting his most famous character, George Smiley, one last(?) time (2017's A Legacy of Spies) both seemed like they might be fitting moments to retire, le Carré clearly still has more to say. Agent Running in the Field will be released by Penguin/Viking on October 17, 2019 in the UK, and October 22, 2019 in the U.S. UK bookseller Waterstones and Amazon UK already has it available to pre-order. Here's the publisher's blurb on the new thriller:
Set in London in 2018, Agent Running in the Field follows a twenty-six year old solitary figure who, in a desperate attempt to resist the political turbulence swirling around him, makes connections that will take him down a very dangerous path. In his plot and characterisation le Carré is as thrilling as ever and in the way he writes about our times he proves himself, once again, to be the greatest chronicler of our age.Agent Running in the Field will be the author's 25th novel. His first, Call for the Dead (review here) was published in 1961. Le Carré's work continues to be popular in other mediums as well. There have been recent feature film adaptations of Tinker Tailor Soldier Spy, A Most Wanted Man, and Our Kind of Traitor, and television miniseries versions of The Night Manager and, most recently, The Little Drummer Girl, based on his 1983 novel. Park Chan-Wook's visually stunning six-part adaptation recently aired on AMC in America and the BBC in Britain.
Oct 8, 2018
Trailer for Park Chan-Wook's John le Carré Miniseries THE LITTLE DRUMMER GIRL
AMC has released the first full trailer for their latest BBC co-production, a follow-up to the hugely successful 2016 John le Carré adaptation The Night Manager. This time the same producers at The Ink Factory (including le Carré and his sons Simon and Stephen Cornwell) chose to tackle the author's 1983 tome The Little Drummer Girl, and they brought on the great Park Chan-Wook (Oldboy, The Handmaiden) to direct. The imagery in this trailer is as haunting and awesome as I expected from him! The Little Drummer Girl follows Charlie, a naive young English actress recruited by Israeli Intelligence into the "theater of the real"– to infiltrate a Palestinian terror organization. She soon finds herself seduced by both sides and caught in the middle. Florence Pugh (King Lear) stars as Charlie, Alexander Skarsgård (Big Little Lies) plays Becker, the enigmatic stranger who seduces, recruits, and eventually handles her, and Michael Shannon (The Shape of Water) plays a ruthlessly clever, masterfully manipulative, somewhat Smiley-like Mossad spymaster, Kurtz. The miniseries will air on AMC over three consecutive nights in two-hour episodes, premiering November 19 at 9 PM ET/PT. Additional episodes will air at 9 ET/PT on November 20 and November 21. It's expected to play on BBC in the UK around the same time.
Labels:
BBC,
Books,
cable,
Israel,
John Le Carre,
Miniseries,
Mossad,
Movies,
Seventies,
terrorism
Jul 31, 2018
Tradecraft: AMC Sets Premiere Date for Le Carré Miniseries THE LITTLE DRUMMER GIRL
![]() |
Jonathan Olley/AMC/Ink Factory |
![]() |
Jonathan Olley/AMC/Ink Factory |
![]() |
Jonathan Olley/AMC/Ink Factory |
I can't wait till November!
![]() |
Jonathan Olley/AMC/Ink Factory |
Labels:
John Le Carre,
Miniseries,
Mossad,
Seventies,
terrorism,
Tradecraft,
TV
Jul 2, 2018
Easton Press Publishes Signed, Leatherbound Limited Edition of THE SPY WHO CAME IN FROM THE COLD
Connecticut-based publisher Easton Press, renowned for their beautiful, leatherbound editions, have announced a new release sure to interest all spy fans. John le Carré's seminal 1964 masterpiece The Spy Who Came in from the Cold, still inevitably cited as a touchstone every time a new, twisty, brooding, serious spy novel comes out, is the latest le Carré title to receive the Easton treatment. In addition to each copy being hand-signed by the author, according to the publisher, "this Easton Press exclusive edition features premium leather binding, a hubbed spine accented with true 22kt gold, gilded page ends, moiré endsheets, and a satin bookmark." Dimensions of the 256-page book are 5 1/2” x 8 1/2”. Easton's signed edition of Tinker, Tailor, Soldier, Spy came with a certificate of authenticity that was itself signed not only as le Carré (a pen name), but also as David Cornwell (the author's real name)... which I found quite neat! I would expect that to be the case once again with this book.
Easton doesn't report the limitations of their books, but they are limited. Once the signed stock sells out, it's gone, and the books become collectors' items inevitably commanding high prices on Ebay. Their last le Carré release, for example, a 3-volume set of the Karla Trilogy with the first, the aforementioned Tinker, Tailor, Soldier, Spy, signed by the author, is now all sold out. For now, however, The Spy Who Came in from the Cold can be ordered directly from the publisher for 4 monthly installments of $32.
While other le Carré books (including Tinker, Tailor) have had previous leather editions in the past, this edition surprisingly marks the first ever time that what is arguably the author's most famous work has been published in leather. (It did, however, receive an excellent illustrated, slipcased treatment from The Folio Society last year, which is still available--and highly recommended!)
Other notable Easton Press spy titles over the years include leather editions of le Carré's A Perfect Spy (this is a really cool book, with a "secret code"-themed pattern on the cover), William F. Buckley, Jr.'s Saving the Queen, Robert Ludlum's The Parsifal Mosaic, James Grady's Six Days of the Condor, the entire run of Ian Fleming James Bond titles (From Russia With Love actually got the Easton treatment twice), and Anthony Horowitz's first Bond novel, Trigger Mortis. All together, they make for a very impressive shelf or two in any good spy library!
Easton doesn't report the limitations of their books, but they are limited. Once the signed stock sells out, it's gone, and the books become collectors' items inevitably commanding high prices on Ebay. Their last le Carré release, for example, a 3-volume set of the Karla Trilogy with the first, the aforementioned Tinker, Tailor, Soldier, Spy, signed by the author, is now all sold out. For now, however, The Spy Who Came in from the Cold can be ordered directly from the publisher for 4 monthly installments of $32.
While other le Carré books (including Tinker, Tailor) have had previous leather editions in the past, this edition surprisingly marks the first ever time that what is arguably the author's most famous work has been published in leather. (It did, however, receive an excellent illustrated, slipcased treatment from The Folio Society last year, which is still available--and highly recommended!)
Other notable Easton Press spy titles over the years include leather editions of le Carré's A Perfect Spy (this is a really cool book, with a "secret code"-themed pattern on the cover), William F. Buckley, Jr.'s Saving the Queen, Robert Ludlum's The Parsifal Mosaic, James Grady's Six Days of the Condor, the entire run of Ian Fleming James Bond titles (From Russia With Love actually got the Easton treatment twice), and Anthony Horowitz's first Bond novel, Trigger Mortis. All together, they make for a very impressive shelf or two in any good spy library!
Dec 8, 2017
Quartet Releases Two Expanded Spy Soundtracks: CASINO ROYALE and THE RUSSIA HOUSE
Quartet Records have announced half a quartet (sorry) of newly expanded spy scores. And the two movies are about as far apart as you can get within the same genre: Jerry Goldsmith's somber, intimate, jazz-infused score for the 1990 John le Carré adaptation The Russia House, and Burt Bacharach's infectious, iconic score for the bloated 1967 James Bond spoof Casino Royale.
Fred Schepisi’s film of The Russia House starred Sean Connery as one of le Carré’s most memorable characters, Barley Blair, a publisher who becomes unwittingly entangled in East/West spy games and a dangerous romance with Michelle Pfeifer’s Katya. James Fox, Roy Scheider, Michael Kitchen, and Klaus Maria Brandauer co-starred. Besides a romance between two of the screen’s most popular stars, the film was notable for being one of the first Western movies to be shot in Russia, and makes an excellent time capsule of the late Soviet era. Goldsmith’s score was atypical for him in that era (coming right after the more bombastic Total Recall), and remains controversial among fans of the composer and le Carré. The decision to go with a sax-driven, romantic jazz sound reflects Blair’s own musical taste. The original MCA album contained 61 minutes of music, but Quartet have dug up an additional 15 minutes’ worth of previously unreleased material including what they call “some key suspense cues.” According to the label, “the new edition was produced by Mike Matessino, with tracks prepared by Neil S. Bulk (Die Another Day) and mastered by Matessino from the original mixes by Bruce Botnick. The package includes a 16-page full color booklet with [le Carré fan] Dirk Wickenden providing in-depth liner notes and musical analysis of this masterful Goldsmith score.”
As for Casino Royale, you're probably asking, "Hasn't that score already been reissued twice in time this blog's been around?" And you would be right. (Or at least partially right, because you don't seem to be counting the Varese Sarabande reissue which was pretty much identical to the original Varese release, and apparently a subsequent reissue of one of the legitimately expanded versions.) The famous score, long sought after on LP owing to its reputation among audiophiles as the ultimate demonstration record, was first released in an expanded edition by Kritzerland in 2010. The original master tapes were allegedly damaged or destroyed, so they set about repairing the issues caused by that damage. They also attempted to replicate the vaunted sound of the LP by including as a bonus program a direct transfer of the record itself. Then in 2012, Quartet put out a 2-disc release with lavish packaging and a stellar, 60+ page book of liner notes by Gergely Hubai in honor of the film's 45th anniversary. That release was motivated by the discovery of a quarter-inch stereo tape copy of the original album in the vaults of Sony Music Spain, and new access to MGM's DVD elements which permitted a complete film score release (albeit reflecting the sound mixer's dialogue-motivated volume shifts) for the first time. Both of those releases were limited editions, and both sold out. Apparently there was even a second printing of the Quartet one. And now they are releasing a brand new 50th Anniversary edition with completely different audio. Here's the label's reasoning:
The discs can be ordered now directly from Quartet, or pre-ordered from Screen Archives Entertainment:
Casino Royale
The Russia House
Coming on the heels of La-La Land's recent expanded Die Another Day score, this winter is proving a boom time for collectors of spy soundtracks!
Fred Schepisi’s film of The Russia House starred Sean Connery as one of le Carré’s most memorable characters, Barley Blair, a publisher who becomes unwittingly entangled in East/West spy games and a dangerous romance with Michelle Pfeifer’s Katya. James Fox, Roy Scheider, Michael Kitchen, and Klaus Maria Brandauer co-starred. Besides a romance between two of the screen’s most popular stars, the film was notable for being one of the first Western movies to be shot in Russia, and makes an excellent time capsule of the late Soviet era. Goldsmith’s score was atypical for him in that era (coming right after the more bombastic Total Recall), and remains controversial among fans of the composer and le Carré. The decision to go with a sax-driven, romantic jazz sound reflects Blair’s own musical taste. The original MCA album contained 61 minutes of music, but Quartet have dug up an additional 15 minutes’ worth of previously unreleased material including what they call “some key suspense cues.” According to the label, “the new edition was produced by Mike Matessino, with tracks prepared by Neil S. Bulk (Die Another Day) and mastered by Matessino from the original mixes by Bruce Botnick. The package includes a 16-page full color booklet with [le Carré fan] Dirk Wickenden providing in-depth liner notes and musical analysis of this masterful Goldsmith score.”
As for Casino Royale, you're probably asking, "Hasn't that score already been reissued twice in time this blog's been around?" And you would be right. (Or at least partially right, because you don't seem to be counting the Varese Sarabande reissue which was pretty much identical to the original Varese release, and apparently a subsequent reissue of one of the legitimately expanded versions.) The famous score, long sought after on LP owing to its reputation among audiophiles as the ultimate demonstration record, was first released in an expanded edition by Kritzerland in 2010. The original master tapes were allegedly damaged or destroyed, so they set about repairing the issues caused by that damage. They also attempted to replicate the vaunted sound of the LP by including as a bonus program a direct transfer of the record itself. Then in 2012, Quartet put out a 2-disc release with lavish packaging and a stellar, 60+ page book of liner notes by Gergely Hubai in honor of the film's 45th anniversary. That release was motivated by the discovery of a quarter-inch stereo tape copy of the original album in the vaults of Sony Music Spain, and new access to MGM's DVD elements which permitted a complete film score release (albeit reflecting the sound mixer's dialogue-motivated volume shifts) for the first time. Both of those releases were limited editions, and both sold out. Apparently there was even a second printing of the Quartet one. And now they are releasing a brand new 50th Anniversary edition with completely different audio. Here's the label's reasoning:
This edition is an important landmark for this legendary score, and we can proudly say that it now sounds better than ever. This new edition has been produced, restored and mastered by wizard engineer Chris Malone, rebuilding the score from the ground up. Malone’s work has focused on addressing unintended technical anomalies (such as filling dropouts and covering analogue splices) rather than broadly applying a modern sound palette. He has eschewed dynamic range compression and retained the brilliance of the original recording. Because the LP program derived from the original film recordings (with some edits made for a more pleasure listening), we have included it on our CD and added all the music composed by Bacharach that was not on the LP to make a 77-minute CD. The bonus tracks are in mono (music stems are still the only available source to date), but Chris has worked them in a very different mood from our previous edition, respecting the mono without adding any stereo reverb and carefully restoring each track in a very warm way. We can say the sound is day and night compared with our previous edition. Live and learn.
So they seem to be, sort of, apologizing for their previous version? Understanding its less than ideal sources, I never had any issues with it and appreciated its completeness. Though I still preferred the sound on the Kritzerland version, and it sounds as if Malone may have approached this new one along the same lines they did. The new Quartet release appears to be just one disc as opposed to the 45 Anniversary's double-disc version, and does not include the original booklet. It does, however, boast all-new liner notes (20 pages of them!) by film score expert Jeff Bond. It's kind of strange that this odd-duck step child of the Bond saga as by now proven to be the title most frequently revisited on CD, but they've got me curious. I'll definitely be buying this one, as I have all the others. They always sell out, so my advice is to act quickly if you've missed out on the previous limited editions.
The discs can be ordered now directly from Quartet, or pre-ordered from Screen Archives Entertainment:
Casino Royale
The Russia House
Coming on the heels of La-La Land's recent expanded Die Another Day score, this winter is proving a boom time for collectors of spy soundtracks!
Nov 5, 2017
Park Chan-Wook to Direct le Carré Miniseries THE LITTLE DRUMMER GIRL, According to Daily Mail
![]() |
Bart Forbes' frontispiece for the 1983 Knopf limited edition |
According to the report, British actress Florence Pugh, who shot to fame with this year's Lady Macbeth and will next be seen as Cordelia to Anthony Hopkins' King Lear in a star-studded BBC production, will take on the lead role of Charlie, a naive young actress recruited by Israeli Intelligence into the "theatre of the real"--to infiltrate a Palestinian terror organization. She soon finds herself seduced by both sides and caught in the middle. Bamigboye reports that the 6-part miniseries will shoot in 2018 and retain the novel's late Seventies/early Eighties setting (though the subject matter obviously still rings topical today). The Little Drummer Girl was previously filmed by George Roy Hill as a feature in 1984, starring a notoriously miscast Diane Keaton.
Locations in the novel include London, Mykonos, Munich, Vienna, Bonn and Tel Aviv, but there's no way of knowing at this stage which ones will be used in the miniseries. (Key book locations were changed and omitted from The Night Manager.) Bamigboye does report, however, that Park "intends to make good use of locations."
This is a very, very exciting project that I'll certainly be keeping a close eye on. Let's hope for some official announcements soon!
Thanks to Casey and Clarissa for the heads-up on this one!
Labels:
Books,
directors,
John Le Carre,
Korea,
Miniseries,
Mossad,
Tabloid Rumors,
TV
Sep 19, 2017
Discussing A LEGACY OF SPIES on the Spybrary Podcast
On the latest episode of the Spybrary Podcast, I join host Shane Whaley and Spywrite's Jeff Quest to discuss John le Carré's brand new Smiley novel, A Legacy of Spies. At the beginning of the summer, Shane and I discussed the first Smiley novel, Call for the Dead, so it feels appropriate to end the summer discussing the latest one! Furthermore, Jeff and I have been trying to do a podcast together for a few years now, so I'm really happy that Shane finally made that happen. I will be posting a full review here of A Legacy of Spies later, but in the meantime, listen to the podcast to hear my feelings on the book.
Listen to Episode 18 of The Spybrary Podcast (A Legacy of Spies) here, or subscribe on iTunes.
Listen to Episode 006 of The Spybrary Podcast (Call for the Dead) here,
Read "George Smiley: An Introduction" here.
Purchase A Legacy of Spies on Amazon.
Listen to Episode 18 of The Spybrary Podcast (A Legacy of Spies) here, or subscribe on iTunes.
Listen to Episode 006 of The Spybrary Podcast (Call for the Dead) here,
Read "George Smiley: An Introduction" here.
Purchase A Legacy of Spies on Amazon.
Sep 14, 2017
John le Carré's DEADLY AFFAIR Comes to Blu-Ray in Fabulous Special Edition

• High Definition remaster
• Original mono audio
• Audio commentary with film historians Michael Brooke and Johnny Mains
• The National Film Theatre Lecture with James Mason (1967, 48 mins): archival audio recording of an interview conducted by Leslie Hardcastle at the National Film Theatre, London
• The Guardian Lecture with Sidney Lumet (1983, 89 mins): archival audio recording of an interview conducted by Derek Malcolm at the National Film Theatre, London
• A Different Kind of Spy: Paul Dehn's Deadly Affair (2017, 17 mins): writer David Kipen on screenwriter Paul Dehn
• New interview with camera operator Brian West (2017, 5 mins)
• New interview with camera operator Brian West (2017, 5 mins)
• Original theatrical trailer
• Image gallery: on-set and promotional photography
• New English subtitles for the deaf and hard-of-hearing
• Limited edition exclusive booklet featuring newly commissioned writing by Thirza Wakefield , an overview of contemporary critical responses, and historic articles on the film including interviews with James Mason and cinematographer Freddie Young
It also features a cool reversible cover with two choices of poster art and a choice of dark or light spines, either one of which will look good on the shelf next to your Criterion Spy Who Came in from the Cold Blu-ray. The Blu-ray world premiere of The Deadly Affair, a dual format edition, is strictly limited to 3,000 copies; any future pressings, should they happen, won't include the excellent 48-page booklet. (And trust me, you want this booklet!)
The features are excellent, though Kipen misspeaks a couple of times. After reiterating le Carré's claim from his interview on the Criterion Spy Who Came in from the Cold disc that screenwriter Dehn was an assassin for the SOE during WWII, he implies that le Carré trained under Dehn at Camp X with Ian Fleming and Christopher Lee. (Le Carré didn't sign up for spook school until well after the war.) And later he implies that Dehn wrote more than one of the early James Bond movies. It really should have been up to the producers of the special features to edit him better; I get the impression these are just conversational blunders and I suspect he instantly regretted them, as overall he comes across as quite knowledgeable. And despite those minor hiccups, it's great to finally have a documentary shining the spotlight on the underrated Dehn! I learned a lot from this piece, including the fascinating tidbit that Dehn's longtime partner was Hammer composer James Bernard. For some reason Kipen doesn't tell us why Smiley was changed to Dobbs, but this crucial bit of information is covered in depth on the commentary track. He does talk about some of Dehn's earlier, more obscure spy movies, which is great to see. West relates some very interesting anecdotes about cinematographer Freddie Young, and ably gives a great example of just what exactly camera operators and cinematographers do in the form of an amusing anecdote about shooting the scene in theater with Lynn Redgrave. Basically, all of the features are terrific, the transfer looks great, and this is a disc that all le Carré fans and all Sixties spy fans simply need! The region-free disc should be playable everywhere and can be ordered from Amazon.com or Amazon UK. (American consumers may find it works out in their favor to order from the UK.)
Jun 6, 2017
Talking le Carré on the Spybrary Podcast
I'm a guest on the latest episode of the Spybrary Podcast, where host Shane Whaley and I discuss John le Carré's debut novel, Call for the Dead. Call for the Dead was also the debut of one of the greatest characters in spy fiction, George Smiley, whose more famous outings include Tinker, Tailor, Soldier, Spy and The Spy Who Came in from the Cold. We also touch on the 1966 film version, The Deadly Affair, which was adapted by Paul Dehn in the same remarkable three-year period in which he also penned Goldfinger and The Spy Who Came in from the Cold. It was a pleasure talking spy fiction with Shane, and I hope to do so again in the future.
Listen to Episode 006 of The Spybrary Podcast here, or subscribe on iTunes.
Read "George Smiley: An Introduction" here.
Read my review of Call for the Dead here.
Read my review of The Deadly Affair here.
Purchase Call for the Dead on Amazon.
Purchase The Deadly Affair on Amazon.
Listen to Episode 006 of The Spybrary Podcast here, or subscribe on iTunes.
Read "George Smiley: An Introduction" here.
Read my review of Call for the Dead here.
Read my review of The Deadly Affair here.
Purchase Call for the Dead on Amazon.
Purchase The Deadly Affair on Amazon.
Mar 9, 2017
Tradecraft: Night Manager Producers Plot New Period Spy Drama
Deadline reports that The Ink Factory, the production company behind the hit John le Carré TV adaptation The Night Manager (along with films of his work including Tinker Tailor Soldier Spy, A Most Wanted Man and Our Kind of Traitor), is plotting a new spy drama. The company, run by two of le Carré’s sons, will partner with Rise Films and Film4 to develop a Cold War spy film not based on one of the author's novels. Instead, the inspiration for The American War, an espionage tale set against the backdrop of the fall of Saigon in the last days of the Vietnam War in 1975, will be two non-fiction memoirs by former CIA agent Frank Snepp: Decent Interval: An Insider's Account of Saigon's Indecent End Told by the CIA's Chief Strategy Analyst in Vietnam and Irreparable Harm: A Firsthand Account of How One Agent Took on the CIA in an Epic Battle Over Free Speech. Tom Morton-Smith, who wrote the acclaimed play "Oppenheimer," about the father of the atomic bomb, will pen the screenplay.
According to the trade, "the film will follow the rising tensions between the intelligence community and a U.S. administration whose refusal to accept the facts prompted a catastrophic compromise of vulnerable American and South Vietnamese personnel and their families, followed by a refugee crisis. Despite this system failure and heart-breaking betrayal, individual acts of heroism and Snepp’s own desperate last-minute efforts to persuade his superiors in Saigon to admit defeat resulted in the evacuation of many people." So, obviously, they're going for a very timely take on the material!
According to the trade, "the film will follow the rising tensions between the intelligence community and a U.S. administration whose refusal to accept the facts prompted a catastrophic compromise of vulnerable American and South Vietnamese personnel and their families, followed by a refugee crisis. Despite this system failure and heart-breaking betrayal, individual acts of heroism and Snepp’s own desperate last-minute efforts to persuade his superiors in Saigon to admit defeat resulted in the evacuation of many people." So, obviously, they're going for a very timely take on the material!
Mar 7, 2017
John le Carré to Publish New George Smiley Novel A Legacy of Spies!
This is perhaps the most exciting news I have ever written about here, in my ten plus years of blogging about fictional spies. It was announced today that John le Carré, the master of the espionage genre (and my personal favorite writer of all time) will publish a new novel about his most famous protagonist, George Smiley, in the fall. A new Smiley novel! Can it possibly be true? It is! There's a plot description on the author's website and even a pre-order listing on Amazon. A Legacy of Spies will be published September 5, 2017, in the United States, and September 7 in Britain. Here is the official description:
Le Carré has always prided himself on staying topical and never looking" back, never dwelling on the past. When the Berlin Wall came down, many critics tried to write him off, but he not only stayed aggressively relevant in the post-Cold War world; he produced some of his greatest work against the backdrop of the New World Order (The Night Manager, Our Game) and the War on Terror (A Most Wanted Man). Perhaps writing his memoirs, The Pigeon Tunnel (published last year) got him in a more reflective mood and inspired him to revisit his beloved Cold War characters, but it certainly sounds like he's found a way to do so while still remaining doggedly current, which seems appropriate, especially in a time when half the daily headlines seem torn from the pages of a le Carré novel!
George Smiley first appeared as the protagonist of le Carré's first novel, Call for the Dead (1961), and served the same role in his second, A Murder of Quality (1962). The character took a backseat in his next two books, playing a more minor role in The Spy Who Came in from the Cold (1963) and The Looking Glass War (1965), before taking center stage once more in the epic "Quest for Karla" trilogy, beginning with Tinker, Tailor, Soldier, Spy (1974), and continuing with The Honourable Schoolboy (1977) and Smiley's People (1979). Just as the character never seemed to be able to retire from "the Circus" (as British Intelligence is known in le Carré jargon), the author never seemed quite ready to retire his character. He brought George back (again relegated to a secondary role) for a swan song in The Secret Pilgrim (1990), his eulogy for the Cold War. "It's over, and so am I. Absolutely over," Smiley told a gathering of MI6's latest recruits. "Time you rang down the curtain on yesterday's cold warrior... The new time needs new people. The worst thing you can do is imitate us." And so he exits, leaving them with one final piece of advice: "We've given up far too many freedoms in order to be free. Now we've got to take them back." Even that exit, it now seems, was not, absolutely, his final. I suspect the new novel will develop that final theme further.
Two other le Carré novels, The Russia House (1989) and The Night Manager (1993) are set in the same world and feature some of the same characters, but not Smiley himself. They form a loose trilogy with The Secret Pilgrim as the middle book. The latter, which was made into a successful miniseries last year, features Smiley's Secret Service protege, Burr.
Smiley himself has been portrayed many times on screen, most famously by Alec Guinness in a pair of BBC miniseries and most recently by Gary Oldman in Tomas Alfredson's 2011 feature film adaptation of Tinker Tailor Soldier Spy. Presumably, he'll next be seen on the small screen in the forthcoming miniseries version of The Spy Who Came in from the Cold (previously filmed in 1965).
The Smiley Files
Part 1: George Smiley: An Introduction
Part 2: Movie Review: Tinker Tailor Soldier Spy (2011)
Part 3: Book Review: Call for the Dead (1961)
Part 4: Movie Review: The Deadly Affair (1966)
Part 5: Book Review: A Murder of Quality (1962)
Part 6: Movie Review: A Murder of Quality (1991)
Part 7: Book Review: The Spy Who Came in from the Cold (1963)
Part 8: Book Review: The Looking Glass War (1965)
Part 9: Book Review: Tinker, Tailor, Soldier, Spy (1974)
After 25 years, Smiley is back...
Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him.
Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinised under disturbing criteria by a generation with no memory of the Cold War and no patience with its justifications.
Interweaving past with present so that each may tell its own intense story, John le Carré has spun a single plot as ingenious and thrilling as the two predecessors on which it looks back: The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy.So not just Smiley will be back, but also many of our other favorite characters from the earlier novels, including Guillam (whose role was disappointingly small in the previously final Smiley outing, The Secret Pilgrim) and even Alec Leamas, hero of The Spy Who Came in from the Cold! (Le Carré once seemed sworn against ever writing about him again, joking in his introduction to a later edition of The Looking Glass War that at the time of its initial publication, all the UK public seemed to want from him was Alec Leamas Rides Again.) Penguin editor Mary Mount provides some further fascinating hints of what we can expect from A Legacy of Spies on the Penguin website. "A Legacy of Spies asks questions about how we reckon with the past and with our political history," she writes. "As with all of le Carré’s fiction, it brilliantly illuminates human folly and our frailty. The pain, the clarity, of hindsight is so beautifully rendered showing how the passage of time fully exposes acts of violence, framed as utterly necessary at the time, for what they are."
Le Carré has always prided himself on staying topical and never looking" back, never dwelling on the past. When the Berlin Wall came down, many critics tried to write him off, but he not only stayed aggressively relevant in the post-Cold War world; he produced some of his greatest work against the backdrop of the New World Order (The Night Manager, Our Game) and the War on Terror (A Most Wanted Man). Perhaps writing his memoirs, The Pigeon Tunnel (published last year) got him in a more reflective mood and inspired him to revisit his beloved Cold War characters, but it certainly sounds like he's found a way to do so while still remaining doggedly current, which seems appropriate, especially in a time when half the daily headlines seem torn from the pages of a le Carré novel!
George Smiley first appeared as the protagonist of le Carré's first novel, Call for the Dead (1961), and served the same role in his second, A Murder of Quality (1962). The character took a backseat in his next two books, playing a more minor role in The Spy Who Came in from the Cold (1963) and The Looking Glass War (1965), before taking center stage once more in the epic "Quest for Karla" trilogy, beginning with Tinker, Tailor, Soldier, Spy (1974), and continuing with The Honourable Schoolboy (1977) and Smiley's People (1979). Just as the character never seemed to be able to retire from "the Circus" (as British Intelligence is known in le Carré jargon), the author never seemed quite ready to retire his character. He brought George back (again relegated to a secondary role) for a swan song in The Secret Pilgrim (1990), his eulogy for the Cold War. "It's over, and so am I. Absolutely over," Smiley told a gathering of MI6's latest recruits. "Time you rang down the curtain on yesterday's cold warrior... The new time needs new people. The worst thing you can do is imitate us." And so he exits, leaving them with one final piece of advice: "We've given up far too many freedoms in order to be free. Now we've got to take them back." Even that exit, it now seems, was not, absolutely, his final. I suspect the new novel will develop that final theme further.
Two other le Carré novels, The Russia House (1989) and The Night Manager (1993) are set in the same world and feature some of the same characters, but not Smiley himself. They form a loose trilogy with The Secret Pilgrim as the middle book. The latter, which was made into a successful miniseries last year, features Smiley's Secret Service protege, Burr.
Smiley himself has been portrayed many times on screen, most famously by Alec Guinness in a pair of BBC miniseries and most recently by Gary Oldman in Tomas Alfredson's 2011 feature film adaptation of Tinker Tailor Soldier Spy. Presumably, he'll next be seen on the small screen in the forthcoming miniseries version of The Spy Who Came in from the Cold (previously filmed in 1965).
The Smiley Files
Part 1: George Smiley: An Introduction
Part 2: Movie Review: Tinker Tailor Soldier Spy (2011)
Part 3: Book Review: Call for the Dead (1961)
Part 4: Movie Review: The Deadly Affair (1966)
Part 5: Book Review: A Murder of Quality (1962)
Part 6: Movie Review: A Murder of Quality (1991)
Part 7: Book Review: The Spy Who Came in from the Cold (1963)
Part 8: Book Review: The Looking Glass War (1965)
Part 9: Book Review: Tinker, Tailor, Soldier, Spy (1974)
Jan 18, 2017
Tradecraft: BBC and AMC to Re-team on Spy Who Came in from the Cold Miniseries
We learned last summer that the next John le Carré miniseries would be a new adaptation of his seminal 1963 novel The Spy Who Came in from the Cold. Now we know the networks that will air it. Unsurprisingly, given the tremendous success of The Night Manager on both sides of the Atlantic and its three Golden Globe wins last week, the BBC and AMC will again partner on this new Spy, Deadline reports.
As previously reported, The Ink Factory and Paramount Television put the project into development in June, with Slumdog Millionaire Oscar winner Simon Beaufoy taking on the unenviable challenge of adapting one of the greatest spy novels of all time. (Goldfinger's Paul Dehn wrote the script for the classic 1965 feature version along with the author.) "The old lion himself," as Hugh Laurie described le Carré at the Globes ceremony, provided a quote for the press release, saying about the new "limited series" (as miniseries are now known), "I’m very excited by the project, and have great confidence in the team." Cast and director have yet to be announced.
Read my book review of The Spy Who Came in from the Cold here.
As previously reported, The Ink Factory and Paramount Television put the project into development in June, with Slumdog Millionaire Oscar winner Simon Beaufoy taking on the unenviable challenge of adapting one of the greatest spy novels of all time. (Goldfinger's Paul Dehn wrote the script for the classic 1965 feature version along with the author.) "The old lion himself," as Hugh Laurie described le Carré at the Globes ceremony, provided a quote for the press release, saying about the new "limited series" (as miniseries are now known), "I’m very excited by the project, and have great confidence in the team." Cast and director have yet to be announced.
Read my book review of The Spy Who Came in from the Cold here.
Labels:
Berlin Wall,
Books,
cable,
John Le Carre,
Miniseries,
Tradecraft,
TV
Nov 3, 2016
Double O Section 10th Anniversary: Top 10 Spy Novels of the Past Decade
While I haven't seen all the spy movies to be released around the world over the past ten years, I have certainly seen the majority of them. The same can't be said for spy novels. There are simply too many published every year to possibly keep up with all of them. But I do read a whole lot of spy fiction, and try to stay on top of the new stuff. Here are ten of my favorite spy novels published during the past ten years.
My Favorite Spy Novels 2006-2016
1. The Nearest Exit by Olen Steinhauer (2010)
If you haven't read this book, it's a bit unfair of me to list it as the best spy novel of the decade, because it can't really be read as a one-off; it actually requires you to read three books. The good news is... all three are fantastic! The Nearest Exit is the middle novel in Steinhauer's Milo Weaver trilogy, which begins with The Tourist (2009) and ends (for now, anyway) with An American Spy (2012). It's tough to pick a favorite of those (especially between the last two), but when it came out The Nearest Exit blew me away with the best "knot," to use Connie Sachs' term, since Tinker, Tailor, Soldier, Spy. The characters are compelling; the tradecraft is impressive, and the espionage plot is ingenious. Publishers absolutely love to label any new spy novel with a variation on "le Carré meets Ludlum" (odd as those particular bedfellows are), but Steinhauer really delivers on that, combining exciting action of the latter with the rich characterizations, complex plots and moral uncertainty of the former. It astounds me that these books have not yet been filmed. Perhaps if Steinhauer's new TV show Berlin Station proves successful, that will be remedied.
2. A Most Wanted Man by John le le Carré (2008)
Speaking of le Carré, the all-time master of this genre is still as sharp as ever in his eighties. Not only has he remained prolific (I don't begrudge his contemporary Len Deighton enjoying his retirement, but oh how I wish he were still publishing as well!), but he's remained topical. Le Carré may have written about the Cold War better than just about anyone else, but that period was hardly the limit of his outrage. If anything, he's gotten angrier as he's gotten older. Some of his later books might suffer a bit from getting overly polemical, but A Most Wanted Man is the perfect concoction of literary fury. It's not only the best novel of the "War on Terror," but easily among the best in the author's justly celebrated oeuvre, featuring some of the most memorable characters he ever created. How many authors are still producing some of their best work in their eighth or even ninth decades? Le Carré is a towering talent still at the top of his game. His follow-up novel, Our Kind of Traitor, was also fantastic, as was his memoir this year, The Pigeon Tunnel. I can't wait to see what he does next.
3. Red Sparrow by Jason Matthews (2013)
Proving once again that spies and authors draw from similar skill sets, former CIA officer Jason Matthews penned as impressive a debut novel as you're ever likely to read in this compelling tale of the spy games very much still being played between America and Russia. The novel follows Russian SVR agent Dominiki Egorova and up and coming CIA officer Nate Nash first separately, and then as their paths ultimately converge. While most of us will never be able to judge a spy novel for its accuracy, Matthews certainly lends an air of authority in his descriptions of tradecraft and Agency politics that feel incredibly realistic. Red Sparrow was the first in a trilogy, and unfortunately the second novel, Palace of Treason, was a serious letdown, but I'm holding out hope that Matthews will bounce back with his third novel and cement himself a spot among the great spies-turned-writers like le Carré, Greene and Fleming.
4. The Devil in Amber by Mark Gatiss (2006)
Before Mark Gatiss shot to Internet superstardom as co-creator of the BBC's terrific Sherlock, he penned a trilogy of fantastically fun spy/adventure novels featuring the unlikely secret agent "by appointment to His Majesty" Lucifer Box. Box is a sort of debonair, bisexual mash-up of Sherock Holmes, James Bond and Oscar Wilde, and as witty a narrator as you could ask for. In my review here when this second book in the Box trilogy came out, I wrote that it gave me "just about the most pure enjoyment I’ve gotten out of any book in a long time." All these years later, it still stands out for that. Granted, I must admit that that might have something to do with my specific tastes, which seem to be nearly identical to Gattiss's. Into this supernatural John Buchan/Dennis Wheatley pastiche,/parody, he mixes healthy doses of James Bond, Hammer horror, Adam Adamant, Doctor Who and P.G. Wodehouse. For me, that adds up to sheer joy. Anyone who enjoys Gatiss's work on Sherlock and Doctor Who should definitely seek out The Devil in Amber (as well as its precursor, The Vesuvius Club). Read my full review here.
5. The Last Run by Greg Rucka (2011)
For his work on the sublime spy series Queen & Country (comprised of both comics and novels), Greg Rucka made that very first list that started this blog ten years ago, so it's not surprising that he's making this one too. What is a bit surprising (and disappointing), is that he hasn't written more spy novels since then! But the one new Queen & Country novel to come out in the past decade was more than worth the five year wait that led up to it. This is by far my favorite of the subgenre of contemporary espionage that Lee Child memorably and humorously dubbed, "something about Iran." Rucka uses Iran to tell a very contemporary twist on the classic Cold War spy novel. His field heroine, Tara Chace, finds herself on the run deep in enemy territory (quite a Quiller predicament), while his desk hero, Paul Crocker, is faced with that age-old dilemma of trying to figure out whether a potential defector is too good to be true. You don't have to have read any other entries in this superb, Sandbaggers-inspired spy series to enjoy The Last Run, but if you have, it rewards on multiple levels. I really, really hope that Rucka returns to the Queen & Country universe again, be it in a new novel or a new comic series. In fact, that's one of my dearest spy fan-related hopes. Read my full review of The Last Run here.
6. A Foreign Country by Charles Cumming (2012)
Along with Olen Steinhauer, Charles Cumming is probably my favorite contemporary spy writer. He reliably delivers a great read every time, but A Foreign Country, the first of his novels featuring British agent Thomas Kell, is my favorite of his to date. Though the stakes (involving the first female head of MI6) are incredibly high, the story itself is relatively small for contemporary spy ficiton, and I found that appealing. It's also a great example of one of my favorite type of spy plots, the secret war between friendly nations. In this case, that secret war turns deadly. Like Jason Matthews, Cumming is a master at describing tradecraft with a palpable sense of realism, and a lengthy shadowing operation with a very limited surveillance team is the highlight of this novel. This was optioned by Colin Firth's company back in 2013 as a potential starring vehicle for the actor (who I think would be great as Kell). Earlier this year it was reported that the project is still alive, but might take the form of a miniseries rather than a movie. That's something I would love to see!
7. The Moneypenny Diaries: Secret Servant by Kate Westbrook (2006)
When The Moneypenny Diaries concept was first announced, it sounded like a terrible idea. It seemed like a blatant attempt by Ian Fleming Publications to capitalize on the then zeitgeisty success of Bridget Jones' Diary... which seemed like an odd zeitgeist to capitalize on for the heirs of Ian Fleming. So who would have predicted such an odd experiment would produce the best James Bond continuation novel of the last decade? Unfortunately, it was so under the radar that hardly anyone outside of hardcore Bond fans ever found out about it. But the second book, in particular, in Samantha Weinberg's really quite brilliant trilogy definitely deserves a larger audience. Weinberg, writing as Kate Westbrook, actually wrote a Bond novel with the potential to appeal to the sorts of spy fans who don't normally give 007 the time of day. She penned a Bond novel, with Miss Moneypenny as the protagonist, set in John le Carré's world—mixed with actual history. In Secret Servant, we see Bond's Service torn apart by a mole and M acting like Control in Tinker, Tailor, Soldier, Spy. Add to that real-life traitor Kim Philby and his wife Eleanor, and you've got the makings of a Bond novel unlike any other and a treat for Bond fans and fans of the "desk" half of the spy genre alike. Read my full review of The Moneypenny Diaries: Secret Servant here, and my interview with Weinberg here.
8. Double or Die by Charlie Higson (2007)
The Moneypenny Diaries wasn't the only seemingly bad idea by Ian Fleming Publications to strike unlikely gold in the past decade. The announcement that they would explore the adventures of James Bond as a boy in a series of Young Adult books seemed like an equally blatant Harry Potter (and Alex Rider)-inspired cash-grab, and initially provoked consternation among many fans. But author Charlie Higson improbably made this unlikely premise work, and ended up penning some of the very best James Bond continuation novels to date, as well as some of the best of the very rich trend of Young Adult literature in the early 2000s. It's a toss-up for me whether Blood Fever (which pre-dated this blog) or Double or Die is my favorite, but there is no question that the latter is a fantastic read. In attempting to decrypt a secret code, James and his Eton friends find themselves on a scavanger hunt across pre-WWII London involving gambling, Soviet spies and a nascent Bletchley Park. It's a great Young Adult adventure that feels authentically Bondian, and a fantastic read. Read my full review of Double or Die here.
9. Restless by William Boyd (2006)
William Boyd eventually became a James Bond continuation novelist himself, and penned a decent 007 entry with Solo. But it wasn't nearly as good as his original spy novel Restless, a literary thriller about a young woman in 1970s Britain searching for the elusive truth about her mother's past as an agent of William Stephenson's British Security Coordination during WWII. The BSC makes a fascinating backdrop for a spy novel, dealing again with that theme of spying between friendly nations. In this case, that spying includes the real-life historical efforts of Stephenson's organization to draw America into the war to aid Britain. But both the 1940s and 1970s storylines are compelling (unlike in the miniseries, which gave short shrift to the Seventies one), and Boyd creates two terrific heroines. It should be noted that there's an excellent audio version read by Bond Girl and Oscar nominee Rosamund Pike. Boyd's masterpiece is Any Human Heart (a novel that features a little bit of spying—and Ian Fleming as a character—but which isn't really a spy novel), but Restless is also well worth reading.
10. Dead Line by Stella Rimington (2008)
Stella Rimington is another former spook turned successful author, and like Jason Matthews, she lends credence to the theory that the two professions rely on some of the same skill sets. Like Matthews, the former Director General of MI5 brings an air of undeniable authenticity to her Liz Carlyle spy novels. Dead Line is among Rimington's best, and expands the tapestry a bit from her previous books. Rather than focusing on Carlyle and her antagonist, she follows many different agents working for different countries and different branches of the British intelligence community this time around. While it isn't immediately clear how all of these storylines are related, the converge in a most satisfying manner, culminating in an assassination attempt at a peace conference in Scotland. Rimington also proved prescient (again, not surprising given her former profession) in predicting the significance of Aleppo in world affairs. Read my full review of Dead Line here.
Those were ten of my favorite spy novels of the past decade, though I could easily make a list of fifty! (Well, maybe not easily. These things take time to write!) What were some of yours? I'd love to get some recommendations for my reading pile.
Addendum: I cannot believe that I forgot to include Jeremy Duns' excellent debut novel, Free Agent! It was easily among my favorites of that period, but for some reason I had thought it came out sooner.
The contest code word is: AMBER.
My Favorite Spy Novels 2006-2016
1. The Nearest Exit by Olen Steinhauer (2010)
If you haven't read this book, it's a bit unfair of me to list it as the best spy novel of the decade, because it can't really be read as a one-off; it actually requires you to read three books. The good news is... all three are fantastic! The Nearest Exit is the middle novel in Steinhauer's Milo Weaver trilogy, which begins with The Tourist (2009) and ends (for now, anyway) with An American Spy (2012). It's tough to pick a favorite of those (especially between the last two), but when it came out The Nearest Exit blew me away with the best "knot," to use Connie Sachs' term, since Tinker, Tailor, Soldier, Spy. The characters are compelling; the tradecraft is impressive, and the espionage plot is ingenious. Publishers absolutely love to label any new spy novel with a variation on "le Carré meets Ludlum" (odd as those particular bedfellows are), but Steinhauer really delivers on that, combining exciting action of the latter with the rich characterizations, complex plots and moral uncertainty of the former. It astounds me that these books have not yet been filmed. Perhaps if Steinhauer's new TV show Berlin Station proves successful, that will be remedied.
2. A Most Wanted Man by John le le Carré (2008)
Speaking of le Carré, the all-time master of this genre is still as sharp as ever in his eighties. Not only has he remained prolific (I don't begrudge his contemporary Len Deighton enjoying his retirement, but oh how I wish he were still publishing as well!), but he's remained topical. Le Carré may have written about the Cold War better than just about anyone else, but that period was hardly the limit of his outrage. If anything, he's gotten angrier as he's gotten older. Some of his later books might suffer a bit from getting overly polemical, but A Most Wanted Man is the perfect concoction of literary fury. It's not only the best novel of the "War on Terror," but easily among the best in the author's justly celebrated oeuvre, featuring some of the most memorable characters he ever created. How many authors are still producing some of their best work in their eighth or even ninth decades? Le Carré is a towering talent still at the top of his game. His follow-up novel, Our Kind of Traitor, was also fantastic, as was his memoir this year, The Pigeon Tunnel. I can't wait to see what he does next.
3. Red Sparrow by Jason Matthews (2013)
Proving once again that spies and authors draw from similar skill sets, former CIA officer Jason Matthews penned as impressive a debut novel as you're ever likely to read in this compelling tale of the spy games very much still being played between America and Russia. The novel follows Russian SVR agent Dominiki Egorova and up and coming CIA officer Nate Nash first separately, and then as their paths ultimately converge. While most of us will never be able to judge a spy novel for its accuracy, Matthews certainly lends an air of authority in his descriptions of tradecraft and Agency politics that feel incredibly realistic. Red Sparrow was the first in a trilogy, and unfortunately the second novel, Palace of Treason, was a serious letdown, but I'm holding out hope that Matthews will bounce back with his third novel and cement himself a spot among the great spies-turned-writers like le Carré, Greene and Fleming.
4. The Devil in Amber by Mark Gatiss (2006)
Before Mark Gatiss shot to Internet superstardom as co-creator of the BBC's terrific Sherlock, he penned a trilogy of fantastically fun spy/adventure novels featuring the unlikely secret agent "by appointment to His Majesty" Lucifer Box. Box is a sort of debonair, bisexual mash-up of Sherock Holmes, James Bond and Oscar Wilde, and as witty a narrator as you could ask for. In my review here when this second book in the Box trilogy came out, I wrote that it gave me "just about the most pure enjoyment I’ve gotten out of any book in a long time." All these years later, it still stands out for that. Granted, I must admit that that might have something to do with my specific tastes, which seem to be nearly identical to Gattiss's. Into this supernatural John Buchan/Dennis Wheatley pastiche,/parody, he mixes healthy doses of James Bond, Hammer horror, Adam Adamant, Doctor Who and P.G. Wodehouse. For me, that adds up to sheer joy. Anyone who enjoys Gatiss's work on Sherlock and Doctor Who should definitely seek out The Devil in Amber (as well as its precursor, The Vesuvius Club). Read my full review here.
5. The Last Run by Greg Rucka (2011)
For his work on the sublime spy series Queen & Country (comprised of both comics and novels), Greg Rucka made that very first list that started this blog ten years ago, so it's not surprising that he's making this one too. What is a bit surprising (and disappointing), is that he hasn't written more spy novels since then! But the one new Queen & Country novel to come out in the past decade was more than worth the five year wait that led up to it. This is by far my favorite of the subgenre of contemporary espionage that Lee Child memorably and humorously dubbed, "something about Iran." Rucka uses Iran to tell a very contemporary twist on the classic Cold War spy novel. His field heroine, Tara Chace, finds herself on the run deep in enemy territory (quite a Quiller predicament), while his desk hero, Paul Crocker, is faced with that age-old dilemma of trying to figure out whether a potential defector is too good to be true. You don't have to have read any other entries in this superb, Sandbaggers-inspired spy series to enjoy The Last Run, but if you have, it rewards on multiple levels. I really, really hope that Rucka returns to the Queen & Country universe again, be it in a new novel or a new comic series. In fact, that's one of my dearest spy fan-related hopes. Read my full review of The Last Run here.
6. A Foreign Country by Charles Cumming (2012)
Along with Olen Steinhauer, Charles Cumming is probably my favorite contemporary spy writer. He reliably delivers a great read every time, but A Foreign Country, the first of his novels featuring British agent Thomas Kell, is my favorite of his to date. Though the stakes (involving the first female head of MI6) are incredibly high, the story itself is relatively small for contemporary spy ficiton, and I found that appealing. It's also a great example of one of my favorite type of spy plots, the secret war between friendly nations. In this case, that secret war turns deadly. Like Jason Matthews, Cumming is a master at describing tradecraft with a palpable sense of realism, and a lengthy shadowing operation with a very limited surveillance team is the highlight of this novel. This was optioned by Colin Firth's company back in 2013 as a potential starring vehicle for the actor (who I think would be great as Kell). Earlier this year it was reported that the project is still alive, but might take the form of a miniseries rather than a movie. That's something I would love to see!
7. The Moneypenny Diaries: Secret Servant by Kate Westbrook (2006)
When The Moneypenny Diaries concept was first announced, it sounded like a terrible idea. It seemed like a blatant attempt by Ian Fleming Publications to capitalize on the then zeitgeisty success of Bridget Jones' Diary... which seemed like an odd zeitgeist to capitalize on for the heirs of Ian Fleming. So who would have predicted such an odd experiment would produce the best James Bond continuation novel of the last decade? Unfortunately, it was so under the radar that hardly anyone outside of hardcore Bond fans ever found out about it. But the second book, in particular, in Samantha Weinberg's really quite brilliant trilogy definitely deserves a larger audience. Weinberg, writing as Kate Westbrook, actually wrote a Bond novel with the potential to appeal to the sorts of spy fans who don't normally give 007 the time of day. She penned a Bond novel, with Miss Moneypenny as the protagonist, set in John le Carré's world—mixed with actual history. In Secret Servant, we see Bond's Service torn apart by a mole and M acting like Control in Tinker, Tailor, Soldier, Spy. Add to that real-life traitor Kim Philby and his wife Eleanor, and you've got the makings of a Bond novel unlike any other and a treat for Bond fans and fans of the "desk" half of the spy genre alike. Read my full review of The Moneypenny Diaries: Secret Servant here, and my interview with Weinberg here.
8. Double or Die by Charlie Higson (2007)
The Moneypenny Diaries wasn't the only seemingly bad idea by Ian Fleming Publications to strike unlikely gold in the past decade. The announcement that they would explore the adventures of James Bond as a boy in a series of Young Adult books seemed like an equally blatant Harry Potter (and Alex Rider)-inspired cash-grab, and initially provoked consternation among many fans. But author Charlie Higson improbably made this unlikely premise work, and ended up penning some of the very best James Bond continuation novels to date, as well as some of the best of the very rich trend of Young Adult literature in the early 2000s. It's a toss-up for me whether Blood Fever (which pre-dated this blog) or Double or Die is my favorite, but there is no question that the latter is a fantastic read. In attempting to decrypt a secret code, James and his Eton friends find themselves on a scavanger hunt across pre-WWII London involving gambling, Soviet spies and a nascent Bletchley Park. It's a great Young Adult adventure that feels authentically Bondian, and a fantastic read. Read my full review of Double or Die here.
9. Restless by William Boyd (2006)
William Boyd eventually became a James Bond continuation novelist himself, and penned a decent 007 entry with Solo. But it wasn't nearly as good as his original spy novel Restless, a literary thriller about a young woman in 1970s Britain searching for the elusive truth about her mother's past as an agent of William Stephenson's British Security Coordination during WWII. The BSC makes a fascinating backdrop for a spy novel, dealing again with that theme of spying between friendly nations. In this case, that spying includes the real-life historical efforts of Stephenson's organization to draw America into the war to aid Britain. But both the 1940s and 1970s storylines are compelling (unlike in the miniseries, which gave short shrift to the Seventies one), and Boyd creates two terrific heroines. It should be noted that there's an excellent audio version read by Bond Girl and Oscar nominee Rosamund Pike. Boyd's masterpiece is Any Human Heart (a novel that features a little bit of spying—and Ian Fleming as a character—but which isn't really a spy novel), but Restless is also well worth reading.
10. Dead Line by Stella Rimington (2008)
Stella Rimington is another former spook turned successful author, and like Jason Matthews, she lends credence to the theory that the two professions rely on some of the same skill sets. Like Matthews, the former Director General of MI5 brings an air of undeniable authenticity to her Liz Carlyle spy novels. Dead Line is among Rimington's best, and expands the tapestry a bit from her previous books. Rather than focusing on Carlyle and her antagonist, she follows many different agents working for different countries and different branches of the British intelligence community this time around. While it isn't immediately clear how all of these storylines are related, the converge in a most satisfying manner, culminating in an assassination attempt at a peace conference in Scotland. Rimington also proved prescient (again, not surprising given her former profession) in predicting the significance of Aleppo in world affairs. Read my full review of Dead Line here.
Those were ten of my favorite spy novels of the past decade, though I could easily make a list of fifty! (Well, maybe not easily. These things take time to write!) What were some of yours? I'd love to get some recommendations for my reading pile.
Addendum: I cannot believe that I forgot to include Jeremy Duns' excellent debut novel, Free Agent! It was easily among my favorites of that period, but for some reason I had thought it came out sooner.
The contest code word is: AMBER.
Jul 20, 2016
Tradecraft: Smiley Returns to the Small Screen in New The Spy Who Came in from the Cold Miniseries
In an introduction to a paperback edition of The Looking Glass War, John le Carré joked that what the public wanted from him at the time he wrote that book was "Alec Leamas Rides Again." Unlikely as that prospect seemed, it looks like Leamas, the titular Spy Who Came in from the Cold, will indeed ride again! This is certainly exciting news. The success of The Night Manager miniseries (or "limited series," to use the preferred term du jour) in both Britain and America guaranteed we'd be seeing more le Carré adaptations on the small screen, but I honestly didn't expect a new version of what's probably his most famous novel (and one of the best spy novels of all time). Yet that is in the works! Deadline reports that Paramount TV and The Ink Factory (the production shingle run by le Carré's sons with a mandate to develop film and television projects based on his works) are developing the property as a limited series with Simon Beaufoy (Slumdog Millionaire, The Hunger Games: Catching Fire) writing. Le Carré will serve as executive producer, as he did on The Night Manager. No network is involved at this stage, though one has to imagine that both of Night Manager's partners, the BBC (in Britain) and AMC (in the United States), will bid hard for a follow-up of this magnitude.
Though it was his third novel (and also third featuring George Smiley), it was The Spy Who Came in from the Cold that put le Carré on the map. Upon its publication in 1963, the book garnered excellent reviews and became a bestseller on both sides of the Atlantic. Martin Ritt made an excellent film of it in 1965 starring Richard Burton and Claire Bloom and co-written by Goldfinger scribe Paul Dehn. But as good as that film is, I don't see it as the last word on the story. In fact, I've long harbored dreams of a Spy Who Came in from the Cold remake. Making it in a new format (as a miniseries) will afford Beaufoy the opportunity to make different choices from Ritt and Dehn, and to flesh out certain aspects of le Carré's novel that got short shrift in the film, just as the Tinker Tailor Soldier Spy feature proved a fresh take on that material from the famous BBC miniseries that came before.
No casting has been announced, and it is probably a long way off at this stage. But I would guess that, like The Night Manager, this title will attract high caliber stars. Personally, my dream cast for a Spy Who Came in from the Cold remake has long been Daniel Craig as Leamas (I think he'd be perfect!) and Keira Knightly as Liz (who can now use her actual name; in the film it was changed to Nan because of Burton's famous wife named Liz). Craig, however, is committed to another TV series, and sadly unlikely to be available. Even more important, though, are the supporting roles. I really, really hope that The Ink Factory's producers Stephen Cornwell and Simon Cornwell will manage to lure their Tinker Tailor actors back in the roles of Smiley and, more crucially, Control. While it seems somewhat unlikely that Gary Oldman would want to reprise his film role on television for what basically amounts to a cameo, I have trouble picturing anyone other than John Hurt in the role of Control. He was utterly fantastic in Tinker Tailor. (Spy would be a prequel to that story, which was adapted from a later book.) And Hurt certainly does television.
The only thing I'm slightly disappointed about regarding this news is the fact that they're not doing Call for the Dead first. Though Call for the Dead (which was filmed in the Sixties as The Deadly Affair, also adapted by Dehn) features Smiley front and center and Spy does not, Spy is very much a sequel to Call. I wonder if Beaufoy will be able to incorporate certain aspects of that novel into his adaptation? Depending on how many episodes the miniseries turns out to be, that could be a very interesting approach.
What this news means for the Ink Factory's previously announced follow-up to The Night Manager, a 3-part adaptation of le Carre's 2003 novel Absolute Friends, remains to be seen. Hopefully that is still on track as well. (It may even materialize before The Spy Who Came in from the Cold.)
Read my book review of The Spy Who Came in from the Cold here.
Read my overview "George Smiley: An Introduction" here.
Though it was his third novel (and also third featuring George Smiley), it was The Spy Who Came in from the Cold that put le Carré on the map. Upon its publication in 1963, the book garnered excellent reviews and became a bestseller on both sides of the Atlantic. Martin Ritt made an excellent film of it in 1965 starring Richard Burton and Claire Bloom and co-written by Goldfinger scribe Paul Dehn. But as good as that film is, I don't see it as the last word on the story. In fact, I've long harbored dreams of a Spy Who Came in from the Cold remake. Making it in a new format (as a miniseries) will afford Beaufoy the opportunity to make different choices from Ritt and Dehn, and to flesh out certain aspects of le Carré's novel that got short shrift in the film, just as the Tinker Tailor Soldier Spy feature proved a fresh take on that material from the famous BBC miniseries that came before.
No casting has been announced, and it is probably a long way off at this stage. But I would guess that, like The Night Manager, this title will attract high caliber stars. Personally, my dream cast for a Spy Who Came in from the Cold remake has long been Daniel Craig as Leamas (I think he'd be perfect!) and Keira Knightly as Liz (who can now use her actual name; in the film it was changed to Nan because of Burton's famous wife named Liz). Craig, however, is committed to another TV series, and sadly unlikely to be available. Even more important, though, are the supporting roles. I really, really hope that The Ink Factory's producers Stephen Cornwell and Simon Cornwell will manage to lure their Tinker Tailor actors back in the roles of Smiley and, more crucially, Control. While it seems somewhat unlikely that Gary Oldman would want to reprise his film role on television for what basically amounts to a cameo, I have trouble picturing anyone other than John Hurt in the role of Control. He was utterly fantastic in Tinker Tailor. (Spy would be a prequel to that story, which was adapted from a later book.) And Hurt certainly does television.
The only thing I'm slightly disappointed about regarding this news is the fact that they're not doing Call for the Dead first. Though Call for the Dead (which was filmed in the Sixties as The Deadly Affair, also adapted by Dehn) features Smiley front and center and Spy does not, Spy is very much a sequel to Call. I wonder if Beaufoy will be able to incorporate certain aspects of that novel into his adaptation? Depending on how many episodes the miniseries turns out to be, that could be a very interesting approach.
What this news means for the Ink Factory's previously announced follow-up to The Night Manager, a 3-part adaptation of le Carre's 2003 novel Absolute Friends, remains to be seen. Hopefully that is still on track as well. (It may even materialize before The Spy Who Came in from the Cold.)
Read my book review of The Spy Who Came in from the Cold here.
Read my overview "George Smiley: An Introduction" here.
Labels:
Books,
John Le Carre,
Miniseries,
remakes,
Smiley,
Tradecraft,
TV
Apr 25, 2016
New Trailer and Posters: Le Carré's Our Kind of Traitor
We saw the British trailer a couple of months ago; now we get our first American trailer for Our Kind of Traitor, courtesy of Lionsgate and Roadside Attractions—along with the rather uninspired U.S. (above) and UK (below) posters for the John le Carré adaptation, based on his highly entertaining 2010 novel. Ewan McGregor (Stormbreaker), Naomie Harris (Skyfall), Damian Lewis (Homeland), Mark Gatiss (Sherlock) and Stellan Skarsgård (The Hunt for Red October) star. Our Kind of Traitor opens July 1 in the United States, and May 13 in the UK.
Apr 19, 2016
The Night Manager Debuts Tonight in America
I've been covering this miniseries with much excitement since it was first announced in 2014, and tonight it is finally here! After it aired in the UK last month and in various other territories since then, American audiences at last get to tune in to the six-part BBC/AMC miniseries The Night Manager, based on John le Carré's 1993 novel, starting tonight. Hugh Laurie (House), Tom Hiddleston (Marvel's The Avengers), Olivia Colman (Broadchruch) and Elizabeth Debicki (The Man From U.N.C.L.E.) star in Susanne Bier's contemporary take on le Carré's much loved thriller. Laurie has long been a fan of this novel, having attempted to secure the rights back in his Jeeves & Wooster days hoping to play the role Hiddleston now takes on, and written his own fantastic parody of it (and the spy genre at large) in The Gun Seller. (And according to Adam Sisman's recent le Carré biography, Laurie has actually known the author personally since the Nineties, having met him through Stephen Fry.) Attempts to film The Night Manager date back nearly to its original publication. As recently as 2009, Brad Pitt hoped to star in a feature version. But in many ways le Carré works best on the small screen, where there is plenty of room to explore all the nuances, twists and turns of his complex plots. (The BBC's miniseries versions of Tinker, Tailor, Soldier, Spy and Smiley's People starring Alec Guinness remain high water marks of the genre to this day.) Amazingly, it's been 25 years since the last small screen le Carré adaptation, 1991's A Murder of Quality (review here). After the success The Night Manager has already enjoyed in Britain (where, like the Guinness miniseries before it, it was a bona fide cultural phenomenon), it's unlikely we'll have to wait so long again. The Ink Factory, the production company founded by two of le Carré's sons behind The Night Manager, is already cooking up a three-part adaptation of the author's 2003 novel Absolute Friends.
The Night Manager debuts tonight, Tuesday, April 19, at 10/9c on AMC.
Subscribe to:
Posts (Atom)