Jul 2, 2018

Easton Press Publishes Signed, Leatherbound Limited Edition of THE SPY WHO CAME IN FROM THE COLD

Connecticut-based publisher Easton Press, renowned for their beautiful, leatherbound editions, have announced a new release sure to interest all spy fans. John le Carré's seminal 1964 masterpiece The Spy Who Came in from the Cold, still inevitably cited as a touchstone every time a new, twisty, brooding, serious spy novel comes out, is the latest le Carré title to receive the Easton treatment. In addition to each copy being hand-signed by the author, according to the publisher, "this Easton Press exclusive edition features premium leather binding, a hubbed spine accented with true 22kt gold, gilded page ends, moiré endsheets, and a satin bookmark." Dimensions of the 256-page book are 5 1/2” x 8 1/2”. Easton's signed edition of Tinker, Tailor, Soldier, Spy came with a certificate of authenticity that was itself signed not only as le Carré (a pen name), but also as David Cornwell (the author's real name)... which I found quite neat! I would expect that to be the case once again with this book.

Easton doesn't report the limitations of their books, but they are limited. Once the signed stock sells out, it's gone, and the books become collectors' items inevitably commanding high prices on Ebay. Their last le Carré release, for example, a 3-volume set of the Karla Trilogy with the first, the aforementioned Tinker, Tailor, Soldier, Spy, signed by the author, is now all sold out. For now, however, The Spy Who Came in from the Cold can be ordered directly from the publisher for 4 monthly installments of $32.

While other le Carré books (including Tinker, Tailor) have had previous leather editions in the past, this edition surprisingly marks the first ever time that what is arguably the author's most famous work has been published in leather. (It did, however, receive an excellent illustrated, slipcased treatment from The Folio Society last year, which is still available--and highly recommended!)

Other notable Easton Press spy titles over the years include leather editions of le Carré's A Perfect Spy (this is a really cool book, with a "secret code"-themed pattern on the cover), William F. Buckley, Jr.'s Saving the Queen, Robert Ludlum's The Parsifal Mosaic, James Grady's Six Days of the Condor, the entire run of Ian Fleming James Bond titles (From Russia With Love actually got the Easton treatment twice), and Anthony Horowitz's first Bond novel, Trigger Mortis. All together, they make for a very impressive shelf or two in any good spy library!

Jun 18, 2018

Dynamite's JAMES BOND ORIGIN Comic to Bridge the Gap Between Young Bond and FOREVER AND A DAY Starting in September

Comic Book Resources today at long last revealed details about Dynamite's long in the works James Bond Origin comic book. The WWII-set comic was a cornerstone of Dynamite's initial announcement of their acquisition of the James Bond license (to kill) way back in 2014, and we got further hints over the years that it was still being worked on, in close association with rights-holders Ian Fleming Publications. But 007 fans have long since learned that patience is a necessity when it comes to Bond comics. (Anyone else recall the excruciating delay between issues of the Eclipse/Acme series Permission to Kill, or Dark Horse's Serpent's Tooth, back in the early 90s? Or, worse still, the Bond comics that ran so late they were eventually cancelled, like Dark Horse's A Silent Armageddon or Topps' GoldenEye? The promised follow-ups to the Dark Horse serials "Light of My Death" and "Minute of Midnight" that never materialized? Or, more recently, the years of delays on Dynamite's Casino Royale graphic novel adaptation?) While delays have been inevitable, Dynamite so far has rewarded fans' patience better than any other publisher to ever hold the Bond license. The Fleming adaptation Casino Royale, which was also first announced in that initial 2014 press release, finally arrived earlier this year as a handsome hardcover, and now the company is making good on their James Bond Origin promises as well!

According to CBR, the ongoing series (not miniseries!) James Bond Origin will debut in September with star American comic book writer Jeff Parker at the helm. Fans have long speculated about who would be hired to write this crucial stage of Bond's career. Early on I was rooting for Howard Chaykin, but I honestly couldn't be happier with the choice of Parker. He's the perfect guy for the job, being no stranger to the spy genre or even to period spy stories. One of his early mainstream successes was the Bourne-ish graphic novel with a sci-fi spin The Interman. This led to his rebooting Marvel's Atlas-era heroes as the Agents of Atlas, led by FBI agent Jimmy Woo who debuted in Atlas's Yellow Claw before Steranko made him an agent of S.H.I.E.L.D. during his seminal run on Nick Fury. He later spearheaded a very successful run at DC writing the modern comic book version of the 1960s Adam West TV show, Batman '66, and eventually penned the very fun crossover Batman '66 Meets The Man From U.N.C.L.E., which remains (sadly) the only U.N.C.L.E. comic of this century and belongs on every spy fan's shelf. More recently he tackled another Sixties TV icon with strong spy roots, Jonny Quest, in the popular DC series Future Quest. He's definitely got what it takes to tell the largely untold story of James Bond's wartime career! Dynamite veteran Bob Q. (Kings Quest, Green Hornet '66 Meets The Spirit) will handle art chores. And based on his variant covers for James Bond Origin (right, or see another one at CBR), he looks well-qualified to do so! Premiere issues from Dynamite are always heralded by a wide range of variant covers, and James Bond Origin will be no exception. Comics luminaries John Cassaday, David Mack, Kev Walker, Gene Ha, Ibrahim Moustafa (who wrote and drew one of Dynamite's best Bond comics to date, "Solstice"), and Bob Q. and Jordan Boyd will provide those covers.

James Bond Origin will bridge the gap between IFP's Young Bond YA novels by Charlie Higson and Steve Cole (read my review of Higson's final entry here) and Anthony Horowitz's just-released Casino Royale prequel Forever and a Day. It's clear from the various covers, including one (left) by the official Young Bond artist Kev Walker (who illustrated the Young Bond graphic novel Silverfin, based on Higson's first novel, as well as a line of book jackets and numerous spot illustrations) that Walker's character design is being used as the key art reference for Bond at this age, clearly demonstrating Dynamite's close collaboration with IFP. According to CBR, "The new ongoing series will take readers back to March 1941, and introduce 17-year-old James Bond as a restless student in Scotland who’s eager to make his mark on the world. However, a visit by an old family friend coincides with the devastating Clydebank Blitz, forcing James to fight to survive." The Clydebank Blitz refers to the deadly Luftwaffe bombing on Scottish shipbuilding town Clydebank, which killed more than 500 and left more than 35,000 homeless. Readers of the Young Bond novels may have notions about who that old family friend is, though it's possible that Parker will draw exclusively on Fleming (leaning heavily, no doubt, on that obituary M writes for 007 in You Only Live Twice, which was mostly all his creator ever wrote about Bond's youth), or just create his own new characters. (Higson and Cole readers will also no doubt note that the 1941 date still leaves a little bit of room for a few further Young Bond novels taking place between Cole's stories and Parker's, should IFP decide to commission any.)

Dynamite has previously trumpeted this series as the first time the tale of Bond's origins has been told, but that's not strictly true. John Pearson covered Bond's pre-war and wartime espionage career in great depth in his 1973 continuation novel James Bond: The Authorised Biography of 007, and William Boyd provided flashbacks to Bond's WWII service (cheekily putting him in the 30 Assault Unit, the elite commando unit assembled by Commander Ian Fleming when he worked for Naval Intelligence) throughout his 2013 continuation novel Solo. Horowitz chose to ignore Pearson's account in Forever and a Day, so I wouldn't expect to see any of that incorporated into Parker's comic book. Whether or not he ties his stories into Solo (a much more recent addition to the Bond canon, commissioned by the same regime at IFP who are working on this series) remains to be seen.

Jun 11, 2018

New Trailer for Amazon's JACK RYAN

Amazon has released a new trailer for their forthcoming TV series Tom Clancy's Jack Ryan, which premieres August 31. It looks pretty good, and I'm glad that they're playing up the fact that Ryan is an analyst... though once again, as with Jack Ryan: Shadow Recruit, it looks like they've made the mistake of conflating Ryan and Clark and thrust Ryan into too much of the action too soon. (Clark isn't in this show, as the rights to that character are tied up with the long-in-the-works film adaptation of Without Remorse.) But I'm still excited for this!

Tom Clancy's Jack Ryan was already renewed for a second season back in April, hot on the heels of the massive success of series star John Krasinski's horror movie A Quiet Place. In season two, according to Deadline, "Jack Ryan (Krasinski) confronts the forces in power in a dangerous, declining democratic regime in South America. The second season commences production this summer in Europe, South America and the United States. Also returning for Season 2 is Wendell Pierce who will reprise his role as James Greer." So while Season 1 looks to be loosely inspired by Clancy's Patriot Games (with the Irish terrorists swapped for Islamic extremists), it sounds from that brief description as if Season 2 will be loosely inspired by Clear and Present Danger. Now take a look at the trailer for Season 1!

May 24, 2018

Tradecraft: Universal to Distribute Next Bond Movie Internationally, Annapurna and MGM Domestically

Danny Boyle Confirmed as Director

Deadline reports that EON Productions and MGM have made a deal with Universal to distribute the 25th James Bond movie internationally and on home video. The news is something of a surprise, as Warner Bros. had widely been considered the frontrunners. Sony has distributed all four Daniel Craig Bond pictures to date. This deal adds another superspy to Universal's franchise roster. The studio also distributes the Jason Bourne movies. Outside of the spy department, the studio is home to mega-franchises The Fast and the Furious and Jurassic World, and they certainly know how to market and distribute huge blockbusters worldwide. According to the trade, "domestic distribution will be handled by MGM and Annapurna through the joint venture they signed last year," as had been expected by many in the industry. While this will be a far bigger release than Annapurna has handled to date as a distributor, this strategy makes sense from MGM's point of view, as they've been eager to return to the distribution business for a while. MGM will also retain digital and worldwide television distribution rights. Digital may soon be a bigger earner than home video, if it isn't already. And retaining television rights is key for MGM's premium cable channel, EPIX.

The studio confirmed Deadline's scoop to the trade, and EON principals Barbara Broccoli and Michael G. Wilson issued a statement expressing their excitement at partnering with Universal and confirming that Danny Boyle will, indeed, direct the next Daniel Craig-starring installment. "We are delighted to announce that the exceptionally talented Danny Boyle will be directing Daniel Craig in his fifth outing as James Bond in the 25th installment of the franchise. We will begin shooting Bond 25 at Pinewood Studios in December with our partners at MGM and thrilled that Universal will be our international distributor.” While Boyle was first reported to be the frontrunner to helm the forthcoming Bond adventure in February, his involvement was said to be contingent on Broccoli and Wilson approving of a script being written by Boyle's frequent collaborator, John Hodge (Trainspotting), from a story concoted by Boyle. Apparently, that approval has now come.

Production on Bond 25 is slated to begin on December 3 of this year, with release dates still on track of October 25, 2019 in the UK, and November 8, 2019 in the U.S.

May 23, 2018

Tradecraft: NBC Cancels TAKEN

Deadline reports that NBC has cancelled the Taken TV series after two seasons. The series, based on EuropaCorp's neo-Eurospy film franchise starring Liam Neeson, was retooled for its second season, but the new direction didn't boost viewership the way NBC had hoped. In recent weeks its Friday night ratings had become pretty dire. The network will, at least, air the final episodes that are already in the can. They'll be burned off on Saturday nights at 8pm starting this Saturday, May 26.

May 22, 2018

Full Trailer: CONDOR (2018)

Following up on March's teaser trailer, The Audience Network (yeah, that's a thing) has released the full trailer for their TV reimagining of 3 Days of the Condor entitled Condor. James Grady's novel Six Days of the Condor is one of the genre's all-time classics. Sydney Pollack then made it into one of the all-time classic spy films, Three Days of the Condor. Can lightning strike thrice? Can the same story now be successfully adapted once again, into a different medium? Well, it worked for Tinker Tailor Soldier Spy, so I suppose it's just possible... but obviously a long shot. Still, this full trailer looks pretty good, even if it seems clear that they've ditched the brilliant purpose of the CIA department Condor works for in both original versions.

As we first learned over a year ago, the series protagonist played by Max Irons (Crooked House) will be named Joe Turner, like Robert Redford's character in the film, and not Ronald Malcolm, as in the book. But the movie was close enough to its source material (despite a few key differences) that if the TV series is at all faithful to either, it should at least resemble both. Katherine Cunningham (The Playboy Club) takes on the Faye Dunaway role of Kathy Hale (again using the character's movie name rather than book name), and 20-year-old Israeli Arab actress Leem Lubany (Rock the Casbah) plays Gabrielle Joubert, a variation on the iconic role of the professional killer played so memorably by Max Von Sydow in the film. William Hurt, Mira Sorvino, Brendan Fraser, and Bob Balaban also star.

Condor premieres June 1 on The Audience network. My understanding is that the Audience Network was previously only available to DirecTV satellite subscribers, but now there is an app, DirecTV Now (similar to HBO Go, I think), that allows users to stream it on various set-top devices. I haven't done this myself, and can't vouch for it. But come June, I will have to figure out how to see it, and this seems the easiest way.

MISSION: IMPOSSIBLE - FALLOUT Character Posters and International Trailer

Paramount has released nine new character posters for Mission: Impossible - Fallout with a really great tagline: "Some missions are not a choice." They showcase series regulars like Simon Pegg and Ving Rhames, returnees from Mission: Impossible - Rogue Nation like Rebecca Ferguson and Sean Harris, and new faces like Vanessa Kirby and Angela Bassett. There's also an international trailer that's slightly different from the second domestic one we saw last week, offering some alternative footage and more of certain characters. Check it out.


Two Connery Bond Movies on the Big Screen in 35mm This Father's Day in Los Angeles

Hollywood's famed Egyptian Theatre will show 35mm prints of From Russia With Love and Goldfinger on June 17 - Father's Day. Bond on film has become a relatively rare commodity in recent years (even the once ubiquitous Goldfinger!), as most revival screenings nowadays tend to be projected digitally. Personally, I find that no matter how sharp the transfer, a DCP just doesn't feel like film... and I'd always rather watch a Bond flick on film. So if you feel like I do, and you'll be in the Southern California area mid-June, you should definitely go! The double feature kicks off at 7:30, starting with From Russia With Love. Tickets ($12 covers both films) are available through Fandango, or at the Egyptian Theatre box office.

May 21, 2018

Tradecraft: Another Year, Another 24 Revival Rumor

It's a tradition that every year at the Fox upfronts (the event where networks unveil new series to advertisers), some executive teases the possibility of a 24 revival. Some years, that happens, leading to the excellent Kiefer Sutherland half-length reunion series, 24: Live Another Day, and the single season of "CTU: The Next Generation," 24: Legacy. But most years, nothing comes of such talk at all. (Like last year's rumors that the real-time format would be kept for another new incarnation, but the counterterrorism angle would be ditched altogether in favor of a female-driven legal drama.) This year was no exception to that rule. Deadline reports that, "during Fox’s upfront press call, chairman Dana Walden revealed that 24 executive producer Howard Gordon (Homeland, Legends) is working with 24 creators Joel Surnow and Bob Cochran on a possible new iteration of the real-time drama. The network and 24 producers 20th Century Fox, Imagine TV and Gordon had been discussing new ideas for a 24 series since the end of 24: Legacy last season, including a female-led legal thriller earlier this season. Walden would not elaborate what the new [premise] is, but noted that 'we are very excited about where the show would go.'" Make of that what you will. Most likely it means nothing, but it does remind you that it's very hard for a network to let a good idea go entirely. Sutherland has sworn that he'll never again play Jack Bauer... but spy fans know when to say "never again." (Sutherland made that definitive statement when he had another show, but Designated Survivor was just cancelled, so perhaps that will change things.) What I would love to see is for Bauer to return for another 12-episode season (which works so much better than the 24-episode format, which always sags in the middle) and team up with Corey Hawkins' next-gen CTU op from Legacy along with all the fan-favorite familiar faces (most essentially Chloe and Tony, the only original series cast member to show up on Legacy)... but each leaving their annoying family members behind. I just hope that Gordon, Fox, et. al. realize that 24's real contribution to the genre is not its real-time gimmick (which wore thin by Season 2, honestly), but the character of Jack Bauer, who belongs in the pantheon of the great spy heroes. Find a way to get Jack Bauer back in action, in whatever format Sutherland will agree to do!

May 20, 2018

Warner Archive Releases 1939 Joel McCrea Spy Flick ESPIONAGE AGENT

It's been a while since the Warner Archive has dipped into their spy library. But last week WB's MOD branch announced the first-ever DVD release of the historically notable 1939 spy film Espionage Agent, starring Joel McCrea (Foreign Correspondent) and the stunning Brenda Marshall. Espionage Agent is not a great film, but its historic significance makes it one well worth seeking out for scholars of spy cinema and espionage history.

Like McCrea's next (and far better) spy film, Foreign Correspondent (1940, review here), Espionage Agent is pure propaganda. But it's espousing the exact opposite sentiment of the later Hitchcock movie! While Hitchcock's film serves to warn America that the dawn of WWII is no time for complacency, and that America has an obligation to come to the aid of her allies in Europe and to stand up to the Nazi menace, Espionage Agent makes a case for isolationism. Yet it also makes a case that America needs a dedicated, international counter-intelligence service, which, of course, it didn't have at the time. So for students of spy history, it's a very interesting picture. The basic case is that if the U.S.A. has a spy agency along the lines of what the CIA would eventually become, then that will be enough to keep the country safe from overseas threats like Hitler's Germany, and there need be no more discussion about getting involved with the war in Europe - talk that's all stirred up by German agents anyway, according to the movie. (Why would Germany have wanted America to enter the war? Britain certainly had agents working that angle, but Germany was pretty intent on keeping us out....) Naive politics that have dated poorly aside, Espionage Agent is also worth watching for its place in film history when Hollywood was struggling with how to portray a heroic American "espionage agent." At the time, remember, spies were nearly always bad guys, and it was up to policemen and reporters (as in Foreign Correspondent) and costumed avengers (in the serials) and regular Joes to thwart their nefarious schemes. It wouldn't be until the Cold War and James Bond that we started to see proper, professional spy heroes on screen with any regularity, but Espionage Agent is a curious stepping stone worth checking out.

The Warner Archive made-on-demand DVD retails for $21.99 but can, as always, be found at a discount on Amazon. (Remember, purchases made through links on this blog benefit the Double O Section, which takes up far more of my time than any small commissions will ever compensate for, but every little bit helps!)

Read my full review of Espionage Agent, written in the early days of this blog, here.

Tradecraft: H Collective Activates COUNTER SPY Comedy

The H Collective, a global film finance and production company founded last year, has been building an aggressive production slate recently. As we learned last month, the focal point in their production slate is a fourth xXx film with Vin Diesel following The H Collective's acquisition of the rights to the extreme spy franchise from Revolution Studios. That fits in with their eye to the Chinese market, where the xXx: Return of Xander Cage made the bulk of its overseas money. Continuing the China-focused strategy - and, more importantly, continuing with the spy genre - The H Collective last week set the CIA comedy Counter Spy to be the first film of a three-picture co-production and distribution deal with Chinese streaming giant IQiyi. According to Deadline, "Counter Spy follows a barista at the CIA headquarters’ Starbucks in Langley, Virginia. He has the highest security coffee job in the world and loves being close to the action. However, when he’s accidentally tangled up in a secret mission with an old-school CIA agent and his Chinese counterparts, his fantasy of the spy life comes crashing down." David Rothenberg and Lionel Enns penned the first draft of the script; former Marvel exec Craig Kyle is currently doing a rewrite. The H Collective recently struck a distribution deal with Sony, so it seems possible that studio could handle domestic.

May 16, 2018


ABC announced this week that it had picked up the previously reported spy pilot Whiskey Cavalier to series. And they also unveiled a trailer! Bear in mind, this is one of those long, sort of cumbersome upfront trailers (designed with advertisers in mind, not audiences)... but it still looks awesome! This is exactly what I want from a network spy series. I really hope the show turns out to be as much fun as the trailer! Fulfilling the ancient prophecy that all the stars of Felicity would one day be spy stars (hey, Scott Speedman had his shot in xXx: State of the Nation, remember?), Scott Foley stars as a mostly by-the-book FBI agent just coming off a breakup who's assigned to partner up with a freewheeling CIA agent played by Lauren Cohan (who also stars in the upcoming summer spy movie Mile 22, whose trailer also dropped this week). Action, hijinks, and sexual tension ensue. And based on his memorable several seconds in the trailer, Dylan Walsh (Nip/Tuck) looks to have reinvented his career, brilliantly transforming himself from a ho-hum leading man to a scene-stealing character actor. I can't wait to see the show!

Trailer: MILE 22

While it's likely to be eclipsed by the new Mission: Impossible trailer, STX is eager to make us aware that intense spy action is not the exclusive domain of Tom Cruise. The first trailer (a red band trailer) has dropped for Peter Berg's (The Kingdom) CIA actioner Mile 22, starring his frequent collaborator Mark Wahlberg (2 Guns) and envisioned as a franchise kickoff. And it's got lots of shooting, running, and blowing shit up in it. Mile 22 is co-written by Jack Ryan showrunner Graham Roland, who's clearly having a very spy-ish summer, and Lea Carpenter. John Malkovich (RED), Ronda Rousey (Furious 7), and Lauren Cohan co-star. This is, in fact, one of two Lauren Cohan spy trailers to hit this week! She also stars in the new ABC series Whiskey Cavalier, which looks great.


As promised, Paramount debuted the new trailer for Mission: Impossible - Fallout today. And it certainly looks like another winner! Will this be three great Missions in a row? Check out the trailer and judge for yourself.

May 15, 2018

New Poster and Trailer for MISSION: IMPOSSIBLE - FALLOUT

Paramount has released a new poster for Tom Cruise's sixth Mission: Impossible movie, Mission: Impossible - Fallout. A new trailer will debut tomorrow. (If the waiting is killing you, you can still tide yourself over with the awesome first trailer!) Cruise once again stars as Ethan Hunt; the supporting cast including returnees Simon Pegg, Ving Rhames, Rebecca Ferguson, Alec Baldwin, Sean Harris, and Michelle Monaghan, and newcomers Angela Bassett, Vanessa Kirby, and Henry Cavill. (No Jeremy Renner this time around.)  Christopher McQuarrie, who helmed the last entry in the series, Rogue Nation, returns to direct. (A first for the series, which has historically used a different director for each film.)

May 1, 2018

Tradecraft: John Cena Replaces Dwayne Johnson in Ludlum Movie THE JANSON DIRECTIVE

It's been a while since we've heard about any movement on the Robert Ludlum film front. After the success of the Bourne franchise, there were all sorts of reports of new adaptations of Ludlum bestsellers like The Chancellor Manuscript (at one point Martin Scorsese was supposed to direct Leonard DiCaprio), The Matarese Circle (once set to team Tom Cruise and Denzel Washington before the Cruise-run United Artists imploded), The Osterman Weekend (a remake once set to be Simon Kinberg's directorial debut, and later a vehicle for RED director Robert Schwetke), The Sigma Protocol (long in development with producer Irwin Winkle), The Parsifal Mosaic (Ron Howard and, tantalizingly, Zhang Yimou had both kicked the tires as potential directors), and The Janson Directive. That last one seemed the most likely to move forward, as the world's biggest star Dwayne "The Rock" Johnson was attached to topline, and because the Ludlum estate has kept a Janson book franchise going along the lines of the Bourne series, hiring other authors to pen continuation novels about Ludlum's sniper hero. (Even Ludlum's original Janson tale, The Janson Directive, was finished by another author, and published posthumously.) But it had been quite a while since we'd heard anything about this film, and I'd assumed it had gone the way of so many other projects (like Shane Black's Doc Savage) that Johnson attaches himself to but ultimately doesn't have room for on his busy slate. Apparently, that's not the case! Johnson must believe in the property, because he remains involved as a producer. But he's tapped a protege to take over starring duties on the Universal film.

According to The Hollywood Reporter, fellow wrestler-turned-actor John Cena will step in to star. Cena is hot right now, coming off of a major comedic success in Blockers after steadily building a mainstream comedy career with smaller roles in movies like Trainwreck, Sisters, and Daddy's Home 2 after first fizzling by following the typical wrestler path of paint-by-numbers action vehicles like The Marine (2006) and 12 Rounds (2009). He has, however, maintained his dramatic chops by appearing in Doug Liman's experimental Iraq horror movie The Wall. But most of all, he's proven himself to be an immensely charming and likable screen presence, much like Johnson. So it makes sense for the latter to anoint the former his successor. (Johnson first made the announcement on social media.)

In The Wall, Cena played a spotter for a sniper; in The Janson Directive he'll play a sniper himself - a former SEAL who now runs a private security firm and ends up taking on a younger female apprentice. The Ludlum novel (review here) saw Janson lead a team on a disastrous rescue mission that left him on the run from governments and terrorists alike. As he trotted the globe in an effort to clear his name, he ended up uncovering a conspiracy with ties to his own past military service and reaching (thrillingly) all the way to the highest levels of the U.S. government. Of course, in the post-Bourne Identity world there is no guarantee whatsoever that a Ludlum-based movie will actually follow much of the master plotter's plot. One key divergence is obvious already. The Janson of the book is the proverbial old gunslinger, a Vietnam vet now well past his prime and running form his past. That Janson would have been a great role for Liam Neeson. If any of Ludlum's plot is retained, presumably Janson's military service and the horrific incident that still haunts him will now take place in Iraq or Afghanistan.

The trade reports that James Vanderbilt (The Losers, White House Down) will pen the script from a story he and Akiva Goldsman (A Beautiful Mind) adapted together. (John Hlavin penned a previous draft for Universal.) The pair will also produce, along with Ludlum rights holders Captivate Entertainment's Ben Smith and Jeffrey Weiner and Johnson's regular producing partner Hiram Garcia. Johnson and Dany Garcia will executive produce. No director has yet been named.

With Cena set to star, I'm a lot more hopeful that this movie will actually happen! (His dance card isn't nearly as full as The Rock's, and he's at the perfect stage of his career to launch a new spy franchise.) And I always welcome any new Robert Ludlum based movies.

Read my review of Ludlum's novel The Janson Directive here.
Purchase The Janson Directive on Amazon here.

First Glimpse of Two-Eyed Nick Fury in CAPTAIN MARVEL

Hollywood Pipeline (via Dark Horizons) has snapped some pictures and even video of Samuel L. Jackson on the set of Marvel Studios' upcoming Captain Marvel. As previously reported, Captain Marvel (starring the studio's first female film title character) will take place in the 1990s, decades prior to other Marvel movies we've seen. (Though perhaps around the same time as the opening of Ant-Man, which featured aged versions of Agent Carter characters Peggy Carter and Howard Stark running S.H.I.E.L.D.) That means we'll get to see a younger version of Marvel's resident ramrod superspy, Nick Fury. (Read my Fury/S.H.I.E.L.D. primer here.) But he's still played by Jackson, who is expected to be digitally de-aged. (Clark Gregg's fan-favorite S.H.I.E.L.D. agent of big and small screen, Phil Coulson, will presumably get the same treatment.) The younger Fury will still have both eyes, thus won't sport his famous eyepatch look. Though, as we can see, Fury is in civilian clothes, indicating he's already traded his stripes for spy suits. We saw the original Nick Fury maintain this state (as a two-eyed spy) throughout an entire issue only once, in Fantastic Four #21 (which is collected in the S.H.I.E.L.D. Omnibus). Other than that, you could easily tell his soldier comics (Sgt. Fury and His Howling Commandos) apart from his spy comics (Nick Fury, Agent of S.H.I.E.L.D.) by counting his eyes. No doubt Jackson's Fury will lose an eye during his adventures in Captain Marvel. (In the comics, his missing eye has been explained several different times featuring several different circumstances.)

I have to admit, though, that I'm a little bit disappointed. I was hoping Marvel Studios would be cheeky enough to have Jackson replicate his most famous Nineties look, and sport Jules' Jheri curl from Pulp Fiction as the younger Fury!

Apr 26, 2018

Tradecraft: Marvel Seeks Female Directors for BLACK WIDOW Movie (UPDATED)

Apparently the standalone Black Widow movie we heard chatter about in January is indeed quietly moving forward with women in key creative positions, even though Marvel Studios has resolved not to officially announce any future movies until after their fourth Avengers film premieres next year. (Just to clarify, I mean Marvel's Avengers, obviously, not the real Avengers, and I mean the next Marvel Avengers movie, not Avengers: Infinity War, which opens tonight and is expected to break just about every box office record.) But we still heard in January that Jac Schaeffer, a female screenwriter, had been hired to pen the script, and now, buried at the end of an article about Paramount hiring a female director for the next Star Trek movie, The Hollywood Reporter lets slip that Marvel are keen to hire a female director for female superspy Black Widow's solo debut. The trade reports that the studio has met with such filmmakers as Deniz Gamze Erguven (the acclaimed Turkish movie Mustang), Chloe Zhao (The Rider) and Amma Asante (A United Kingdom), among several others, but there is no clear frontrunner and the search remains ongoing. Asante's name may stand out for spy fans, as she's just signed on to direct a film of the popular book about legendary Cold War spy Adolf Tolkachev, The Billion Dollar Spy.

Presumably Scarlett Johansson would reprise her role from various Marvel Studios movies as Russian superspy Natasha Romanoff in any Black Widow movie. Despite Johansson being the only Avengers cast member to gross $450+ million in her own original movie outside of that franchise, it has taken Marvel much too long (and probably the success of Wonder Woman and Atomic Blonde) to realize the potential for a female-driven film. (Their first will be Captain Marvel, due next year.) Now that they are finally taking notice of the massive audience for such a movie, it's nice to see them lining up women behind the camera as well as in front.

Read more about the Black Widow comics the film will likely draw from and the character's screen history here.

UPDATE: According to a report on The Playlist, Marvel has actually met with upwards of sixty directors about the potential Black Widow gig! At least we know three of them....

Tradecraft: Amma Assante to Direct Tolkachev Movie BILLION DOLLAR SPY

Variety reports that British director Amma Asante (Belle) will helm a movie about legendary Cold War spy Adolf Tolkachev, based on David E. Hoffman’s book The Billion Dollar Spy: A True Story of Cold War Espionage and Betrayal. Tolkachev was the chief designer at the USSR’s Research Institute of Radio Engineering and became one of the CIA's top assets, delivering to the Agency tens of thousands of pages of highly classified documents about Soviet radar and other technologies between 1979 and 1985. Asante's most recent film, A United Kingdom, starred David Olyelowo (Spooks/MI-5) and Rosamund Pike (Die Another Day). Benjamin August, who penned Atom Egoyan's 2015 holocaust revenge drama Remember, starring Christopher Plummer and Martin Landau, will write the script. Akiva Goldsman (A Beautiful Mind) will produce with Walden Media and Weed Road Pictures.

Apr 25, 2018

Comic Book Review: THE PRISONER #1

Titan are off to a promising start with the first issue of their new Prisoner comic, which came out today. Writer Peter Milligan (X-Statix) crafts an intriguing new spy story about a new Prisoner, but begins outside the Village giving us far more background on this modern-day agent, Breen, and his elite MI5 department known as "The Unit" (which evidently operates both overseas and within the United Kingdom). We don't just meet Breen as he's resigning; the entire first issue speedily sets up his life as a spy in a more or less recognizable contemporary world (albeit one with hints of the fantastic). Unlike with Patrick McGoohan's iconic Number 6 in "Arrival," the first episode of the classic 1960s ITC series The Prisoner, we're treated to Breen's final mission as a secret agent before, inevitably, waking up in the mysterious Italianate confines of The Village on the final page of this issue. (Oh come on; that can hardly be considered a spoiler in a comic called The Prisoner!)

The extra information is both the best thing and the worst thing about this new take on The Prisoner. On the one hand, one of the things I love about the original TV series is how little background we're given. We learn bits about Number 6's spy career throughout the series as his interrogators in his mysterious, baroque prison attempt to break him and divine his secrets. We learn as they learn, occasionally glimpsing intriguing flashbacks which may or may not be real. But Number 6 mostly keeps his precious secrets. Of course, the reason that set up worked to begin with is because of the extra-textual baggage McGoohan brought with him having just starred on three seasons (and change) of the popular spy series Danger Man, later re-titled Secret Agent (review here). Fans have argued for fifty years about whether or not Number 6 is, in fact, John Drake, McGoohan's character from Secret Agent, but the fact is that it doesn't really matter. What matters is that McGoohan played Drake, and therefore brought with him for television audiences the world over immediate associations of a world-weary, globe-trotting secret agent with no love for authority. Blurring lines further was the fact that the final two episodes of Danger Man (and only ones to be shot in color) aired in the UK in the exact same timeslot The Prisoner would occupy, in the same season. And they carried over a number of crew members from the earlier show (though not its creator, Ralph Smart; The Prisoner was created by McGoohan and script editor George Markstein).

Titan doesn't have the benefit of a previous comic book series featuring a secret agent who shares the features of our hero, so instead they provide his spy background in the first issue. My biggest problem with Milligan's take on the material is that he spoon-feeds us too much information. Part of me feels like the hero should have been left un-named, and that an explanatory text piece at the beginning demystifies The Village far too much by assuring readers that "it is perhaps the intelligence community's darkest secret, aligned to no one political system or state, an autonomous institute, free of state manipulation." Part of the mystery that compelled viewers in the 1960s was wondering which side controlled The Village. Was Number 6 a prisoner of the East, or a prisoner of his own side because he knew too many secrets to be allowed to resign into free society? (And if that was the case, could that society really be considered "free?") Ultimately, that's not the show's central mystery, but it made a wonderful red herring. Granted, today the world is not so neatly divided, but questions about what power, if any, controls The Village could have still provided mystery and speculation.

All that said, the chance to explore The Village from outside as well as within can also be viewed as a creative opportunity. (After all, what would be the point of a contemporary sequel if it merely tread the same exact hallowed ground as the original?) So far, I'm willing to give Milligan the benefit of the doubt and eagerly follow him wherever he takes us. In the first issue, he sets up an intriguing premise sure to tantalize spy fans. I could be wrong, but it certainly seems like he's using John le Carré's The Spy Who Came in from the Cold (review here) as a narrative device with which to explore The Village from a new and uniquely privileged viewpoint. We meet Breen out in the cold, completely blown and on the run from his own service. In a flashback, we see a meeting with his boss, known as "Section," in which we learn that "in all its 'known' history, only one agent has managed to escape from The Village." ("Then I'll be number two," Breen asserts in a cute bit of scripting.) "The agent who escaped went mad. And you haven't heard what we have planned for you."

"When he tells me what they want me to do," Breen narrates (conveniently skipping over the exact plan), "I only just manage to keep my temper." Whatever Breen worked out with his control, we know for sure that he's actively seeking The Village. There is a personal angle as well as a professional one. Breen's colleague and lover, Carey, has already disappeared, and he believes she's been taken to The Village. Unlike the original Number 6, this agent is on some level aware of The Village, and wants to get himself imprisoned there. That opens up many interesting narrative possibilities in the issues to come, and I'm looking forward to seeing where the story goes.

Happily, Colin Lorimer delivers the goods in the art department. He didn't blow me away with any uniquely creative artistic choices to match Milligan's narrative ones, but why should he when we're still in the outside world? Presumably subsequent issues set within The Village will offer ample opportunities for trippy, Steranko-esque surrealism. Readers of comics based on licensed properties are all too used to sub-par art, and I'm happy that Lorimer rises well above that, with breakdowns that flow naturally and characters who are consistently recognizable, even in various disguises.

Overall, Titan's The Prisoner comic is off to a very promising start! I'm more intrigued from the get-go than I was by DC's 1980s Prisoner comics sequel, "Shattered Visage," and far more involved than I was by the tepid AMC TV miniseries remake from 2009 (review here). In fact, Milligan seems determined not to fall into the traps that befell that show, and from the point of view of this blog, I was happy that he hews closely to the original series' espionage roots, something the TV remake more or less eschewed. As with Big Finish's well-made Prisoner audio dramas, I am happily surprised and eager for more.

Watch a trailer for Titan's Prisoner comic book here.

Order The Prisoner #1 for Kindle here.

Order The Prisoner #1 physical copy here.

Apr 19, 2018

Tradecraft: xXx Rides Again

Xander Cage will return again. Apparently, you just can't keep an extreme spy down! Variety reported on Tuesday that a fourth film featuring Vin Diesel's extreme sports athlete turned secret agent will go before cameras this December, with xXx: Return of Xander Cage director D.J. Caruso returning at the helm. To make this possible, Diesel's One Race Films and Chinese-backed, U.S.-based finance and production company The H Collective have acquired the xXx franchise rights from Revolution Studios, who produced the first three films. Revolution will retain its rights to those movies, and Diesel & Co. can proceed with the further adventures of Xander Cage.

If you guessed that the reason for this sequel happening was China, you'd be right. (We heard as much a year ago.) Said The H Collective CEO Nic Crawley, "The response from the Chinese box office [to the third film] was unprecedented. Bringing the next installment of the xXx franchise to The H Collective complements our diversified slate and mission to produce content for a global audience." Deadline added some further financial details, pointing out that while the first three films have collectively grossed nearly a billion dollars, their popularity has waned Stateside. The original xXx raked in $142.1 million domestically in 2002; the latest one topped out at $44.8 million domestically in 2017. But it set box office records in China, pulling in more than $164 million in the Middle Kingdom and contributing mightily to its $346.1 million worldwide haul. This, of course, was the intention; in his third outing Xander was backed up by a diverse, Fast & Furious-style team of international stars, including Chinese box office idols Donnie Yen (Rogue One: A Star Wars Story) and Kris Wu (Journey to the West: The Demons Strike Back), who were both featured heavily in advertising there. There's no official word yet on any cast beyond Diesel, but it seems like a good bet that those Chinese stars will be back as well. (Personally, I'd like to see Indian actress Deepika Padukone and Aussie Ruby Rose return, too. They were highlights of the last movie.)

While the first two xXx movies were distributed by Sony (where Revolution Studios had their deal at the time), the third was released by Paramount. Yesterday, Deadline ran a second story shedding some light on the fourth film's possible distributor. It looks like Xander Cage will be headed back to Sony. The trade reported that The H Collective has made a pact with Sony for the studio to distribute up to four of their films per year. xXx 4 (or whatever it's ultimately called) will likely be a flagship title among those films. So one day, xXx: Return of Xander Cage may well be the odd title left out of Blu-ray (or whatever format we're on by then) box sets... the Return of the Pink Panther of the xXx series. if you will.

While I had little interest, initially, in seeing the return of an extreme hero so firmly (and hilariously) rooted in such a specific time as the heady, Mountain Dew-fueled X Games era of 2002, xXx: Return of Xander Cage caught me by surprise with a ridiculous but effective reinvention that proved the definition of dumb fun. There's something amusing about watching a 50-year-old man in Capri pants do skateboard tricks and hit on twenty-somethings... it all felt very Octopussy to me. (Which I should clarify I mean as a compliment, as others might not.) I think Caruso proved he's the right person to spearhead another xXx movie. I just hope there's more of Ice Cube and Samuel L. Jackson in the next one...

Tradecraft: James Gray to Direct I AM PILGRIM

MGM is moving forward with their feature version of Terry Hayes' bestselling spy novel I am Pilgrim. Deadline reports that James Gray (The Lost City of Z, We Own the Night) has closed a deal to direct. Kingsman helmer Matthew Vaughn was previously attached, but opted to focus on the Kingsman sequel instead. Hayes, who was a prolific screenwriter before turning novelist, has adapted his book himself. I Am Pilgrim follows a Nicolai Hel- or Derek Flint-like perfect super-agent, code-named "Pilgrim," who comes out of retirement to solve an engrossing locked room mystery (where the killer has used Pilgrim's own obscure book on forensic science to create the perfect crime), and simultaneously save America from a terrorist threat of astronomical proportions and a terrorist mastermind, "Saracen," capable of carrying it out. It's an exciting, globe-hopping adventure in the Ludlum vein with the action mainly taking place in New York, Turkey, and the Middle East. According to the trade, the James Bond studio is interested in launching another spy franchise, though so far, there have been no sequels to the book. (Follow-ups have been rumored, but not confirmed. Hayes' next book is apparently unrelated.) I suppose the implication could be that the studio plans to turn the existing book into more than one movie. It's long enough, and packed with enough subplots, that you could probably get three movies out of I Am Pilgrim alone. In fact, it's difficult to imagine how the entire book could be packed into just one feature without losing a whole lot. (And I fear the first to be jettisoned would be the second locked room mystery, in Turkey, which was actually my favorite part.) Whatever route they choose, however, this book certainly has potential to launch a major spy franchise. This is definitely a project to keep an eye on!


Robert McCall is back! Sony has released the first trailer for Denzel Washington's first ever sequel, The Equalizer 2. Director Antoine Fuqua and writer Richard Wenk also return in their respective roles behind the camera from the first film, as do Melissa Leo and Bill Pullman in front of the cameras. This time Pedro Pasqual (Kingsman: The Golden Circle) and Ashton Sanders (Moonlight) also gets in on the action, and cinematographer Oliver Wood brings his Bourne experience to the look of the film. The Equalizer movies are, of course, based on the 1985-1989 TV series created by Michael Sloan and Richard Lindheim, which starred spy icon Edward Woodward (Callan). Like the series, the premise of the movies finds former secret agent McCall attempting to atone for his past sins by using his espionage skills to help those with the odds against them. The revenge-driven story in the sequel, however, seems to be more motivated by McCall's spy past than any present client. (Such storylines were also a staple of the show, though less frequent.) With the revenge storyline and (at least partial) Turkish setting, this trailer does bring to mind Taken 2, but hopefully this spy sequel will prove more original than that one, which basically rehashed the plot of the first Taken movie. The first Equalizer proved to be a surprisingly solid TV-to-film adaptation. The Equalizer 2 opens July 20.

Apr 5, 2018


Universal has released the first trailer for the third Johnny English movie starring Rowan Atkinson, Johnny English Strikes Again. I think it's hysterical. For me, the English movies have always been superior to the Austin Powers (though the Jean Dujardin OSS 117 movies take the cake as far as spy parodies go), and I'm glad they keep coming. There are some Pink Panther-level gags in this trailer that crack me up. (And, of course, that no doubt intentionally resonant title.) I'm also very happy to see Ben Miller's Bough (English's straight man assistant, a highlight of the first film) back in a larger role.. though also sorry to see no sign of Daniel Kaluuya, the sidekick from the second film. (Obviously he's gone on to bigger things.) As usual, there's a stellar supporting cast including Olga Kurylenko (Quantum of Solace), Emma Thompson (The Love Punch), Jake Lacy (Miss Sloane), and a beautiful red Aston Martin V8 Vantage.

Johnny English Strikes Again opens September 20, 2018.

Apr 4, 2018

Future of EuropaCorp's Neo-Eurospy Movies

After the disappointing box office of Luc Besson's sci-fi epic Valerian and the City of a Thousand Planets, EuropaCorp is in trouble. Deadline reported in January that several suitors are lining up with aims to buy Besson's French studio, or at least its library of titles, with Lionsgate at the time chief among them. (Lionsgate itself has also been the subject of buyout rumors, with Amazon a potential buyer.) According to the trade, the company was "expected to discuss the sale of its assets, which includes its film library — consisting of movies such as Taken and The Transporter — with buyers at a Paris-based presentation" to be held in February.

According to a later Variety story, Netflix also entered the fray as a potential partner. The trade reports that when discussions between the streaming giant and Besson began, they were just about him directing several movies for Netflix, who have made a major push into original features in the past year. But apparently the scope of the conversations broadened, and now "as part of the deal, Netflix could also buy into EuropaCorp’s library, which has an estimated value of €150 million ($186 million) and includes such franchises as Taken, Taxi and Transporter."

This week, The Hollywood Reporter reported that EuropaCorp shares jumped 30% following French news reports that Netflix was closing in on a deal. According to a report originating in the French financial paper Les Echos, "the deal would see Netflix take over control and operation of EuropaCorp, but Besson would stay on as creative head of the company." The paper foresaw a deal being announced as early as next month's Cannes Film Festival. Deadline chimed in with a story that EuropaCorp itself is downplaying the coverage, confirming only that "indeed discussions are taking place with several potential industrial and/or financial partners," but neglecting to name Netflix or any other entities specifically. (The trade reports that Warner Bros, Sony, TF1, Vivendi and current EuropaCorp investor Fundamental Films, from China, are all in the mix as well.)

How does all this affect spy fans? Well, it could actually mean revivals of some of EuropaCorp's popular neo-Eurospy franchises, like the Transporter or Taken movies. (EuropaCorp probably ranks as the number one purveyor of neo-Eurospy content in the past decade, with other titles including From Paris With Love, 3 Days to Kill, Columbiana, and Lockout.) These intellectual properties are among the more appealing elements of the EuropaCorp catalog, and while the current regime at EuropaCorp has chosen to forgo further Liam Neeson Taken movies or Jason Statham Transporter movies in favor of an NBC television series (in the former case) and an under-performing prequel starring Deadpool's Ed Skrein (in the latter), a new owner might not feel the same way. It's possible, for instance, that Netflix might recognize the value in luring Statham back to the Transporter franchise. (The Skrein reboot, which was supposed to be the first in a new trilogy, reportedly happened because the studio refused to meet Statham's asking price.) Liam Neeson has publicly stated that he wouldn't reprise his Taken role of former CIA agent Bryan Mills again... but as another aging spy star once learned, never say never. (Neeson has also repeatedly forsworn further action movies in general, yet keeps coming back to them.)

Luke Evans appeared on Late Night With Seth Meyers earlier this year and revealed a few details about Besson's own next directorial effort, Anna. The project has been shrouded in secrecy besides the fact that, like Besson's hit Lucy (and the brilliant spy movie that put him on the map, La Femme Nikita), it will be a female-driven action movie. Evans confirmed that it's also a spy movie, saying it's about Russian assassins and he plays a KGB agent. (I don't know if this means it's a Cold War period piece, or if he's using "KGB" interchangeably with SVR or FSB.) Cillian Murphy and Helen Mirren also star, while Russian model Sasha Luss (pictured, who also appeared in Besson's Valerian and the City of a Thousand Planets) plays the title role. Lionsgate will distribute the English-language thriller. It seems possible that Anna could launch yet another lucrative EuropaCorp neo-Eurospy franchise.